Dancehall Culture in Jamaica

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Discuss you understanding of dancehall culture in Jamaica. Dancehall is a popular type of music originated in the late 70s in Jamaica, as a result of varying political and socio-economic factors. Dancehall is characterized by a deejay singing and toasting (or rapping) over danceable music riddims. The rhythm in dancehall is much faster than in traditional reggae, sometimes with drum machines replacing acoustic sets. In the early years of dancehall, some found its lyrics crude or “slack”, because of its sexual tones. Like its reggae predecessor, dancehall eventually made inroads onto the world music scene. Jamaica is internationally recognized as the birthplace of reggae and dancehall music, the latter delivering the more flashy up-tempo sound, while the former targets the spiritual and Afrocentric followers with slower, and sometimes sultry beats. (Campbell, C.2012) Jamaican dancehall music, also called ragga or dub, is a popular style of Jamaican music that had its dawn in the political unrest of the late 1970s and became Jamaica’s dominant music in the 1980s and ’90s. Fundamental to dancehall is the deejay, who raps, or “toasts,” over a prerecorded rhythm track (bass guitar and drums), or “dub.” The contagious tune of the dancehall deejay part talking, part singing, gained status in the late 1970s but dates from as early as 1969, when U-Roy experimented with talking over or under a “riddim” (rhythm). The rise of deejay Yellow man in the early 1980s marked the transition from mainstream reggae to dancehall music that took place in Jamaican nightclubs. In the 1980s and ’90s, computer-generated rhythms mechanized and sped up the dancehall beat. From the 1980s to the mid-1990s, slackness and gun talk dominated the lyrics of dancehall deejays, the most notable of whom were Shabba Ranks, Ninjaman, Bounty Killer, Lady Saw, and Lovindeer (who composed in a calypso

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