Cyclical Literature In Early 19Th Century

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Cyclical Literature in early19th Century A song cycle is a group of songs designed to perform in a sequence during classical music. All of the songs are by the same composer and often use words from the same poet, lyricist, or relating a story. Each song sang separately, but the composer imagined that they would be performed together as one work. They are for solo voice and piano accompaniment, however, they also can be without accompaniment or instruments. It started before the Romantic period, but it become popular with German composers of the nineteenth century. The first generally accepted example of a song cycle is Ludwig van Beethoven’s An die ferne Geliebte, opus 98. It considered being the first true song cycle by a major composer. He composed in 1816, and it can be seen as the first real song cycle by a great composer in the sense that it is a number of songs by voice and piano that are clearly related with each other. The six songs of the cycle flow into each other, the tonal structure is very clear, and the poetic structure is also clear. The theme of the first song is re-exposed in the last song. The individual songs share some thematic relationships and are linked the piano accompaniment, which delivers a sort of connecting interlude between songs, and he excludes the option of performing just one song or a selection from the entire work. The cycle of poems have been written by Alois Jeitteles, a medical student and not a very high quality poet. Beethoven has asked him to write the poem, and the last line of the first song that is repeated in the sixth song has been added by Beethoven to create the opportunity for a re-exposure of the theme of the first song. The song cycle has been a great inspiration for later writers of song cycles, where motives have been used also in instrumental pieces of many composers. Franz Schubert wrote two long song
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