Critically Analyses Michelangelos Tomb for Pope Julius the Second

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Critically analyse Michelangelo’s tomb for Pope Julius the second. I will be analysing Michelangelo’s tomb for Pope Julius ii. This tomb is credited to Michelangelo, however only one sculpture on the finished tomb was actually carved by Michelangelo. This is die to many delays and disputes in the construction of the tomb. From the formation of the first tomb plan to the building of the finished result the whole process took 40 years, and ended up being a huge strain on Michelangelo, on top of this it is supposed that he found the finished result an embarrassment. Michelangelo was commissioned to create the tomb in 1505 by Pope Julius ii, and following his death his family, the Della Rovere family, carried on with the project. Pope Julius’ ii papacy is marked by both active foreign policy, earning him the status of warrior pope, and also a humanist and patron of art. These ambitions can be seen in Julius’s first intricate design for his tomb. In this plan the tomb, situated in St. Peter’s Basilica, is huge and free standing. It consists of three layers: the bottom, covering 70 square feet metres, is decorated with figures of captives. These captives could signify the enemies of the pope, as this was commissioned during the Italian wars, and the Pope had many enemies. Or it in fact could be inspired by platonic philosophy. Michelangelo was familiar with Platonic philosophy as he spent much time in the villa of the Medici family at the time when Marsillo Ficino was translating Plato’s Republic for the Medici’s. The figures of the prisoners correspond with Plato’s idea that we are prisoners of our bodies in a world of appearances. Michelangelo did complete two of these statues: the rebellious prisoner and the dying prisoner, however they were not included in the final tomb and are currently displayed in The Louvre. Both statues are incredibly detailed, they

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