Crash Analysis

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The 2004, Crash by Paul Haggis is a sensational film depicts the racism and prejudice in contemporary Los Angeles. Crash is a short story about several characters all living in L.A. from different backgrounds, interacting within 24 hours. The scene begins with a car accident between Jennifer Esposito and a Chinese woman, which is connected to the film’s title Crash, but the director has a profound meaning. Crash also metaphorically describes the collision between these characters through crime, obligation and indignation. Characters are simply classified into different races. One powerful and influential storyline features two African-American committed in carjacking, and the offense irritated Sandra Bullock who racially discriminated to the Mexican-American locksmith Michael Peña. As such, the film brings out the message that discrimination begins when prejudices and pre-conceived notions have formed. At the beginning, Ludacris and Larenz Tate are two African-Americans and being stereotyped by an Anglo-American woman. The woman was scared upon seeing them. There is nothing to do with skin color but prejudices are always the root of racial tension. Ironically they were criminals and carjacked Brendan Fraser and Sandra Bullock’s car. Another racial discrimination happened when locksmith Michael Peña was changing the door in Brendan Fraser and Sandra Bullock’s home. Since she was upset by the carjacking, she noticed Michael Peña is a Mexican-American with tattoos on his arm, the first vision she had made was gang tattoos. She requested Brendan Fraser to change a new lock after Michael Peña had done his job. Her action had already insulted him. Another harassment happened when he was repairing the lock for Shaun Toub’s door. Shaun Toub refused Michael Peña’s advice when he told home a new door should be replaced before changing the lock. Shaun Toub finally harassed
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