Contemporary Islamic Artists

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Certain aesthetic and contextual criteria define contemporary Islamic art The combination of traditional calligraphy with abstract art and photographic realism, for example, escapes the traditional calligraphic practice and figureless images found in older Islamic art. Similarly, contemporary art forms such as photography, installation, sculpture and painting, combined with content related to Islamic cosmologies, beliefs and religious practices are reflective of Islamic contemporary art. Here are two contemporary Islamic artists, Raqib Shaw and Shahzia Sikander both influenced by the Eastern and Western traditions in the Islamic world.

Raqib Shaw,who grew up surrounded by the beauty of Kashmir and immersed in its rich heritage. Thanks to growing up in Kashmir, the techniques, styles and influences derived from eastern decorative art, Persian miniatures and the lavish Mughal empire have vibrantly collided with his art training at London's Central Saint Martins College. So Shaw’s technique experiments with earlier styles such as Mughal-era miniature paintings embodying full of luxurious material, vibrant colors, colorful themes and sensuality. Of those locales, the Kashmir region, with its mix of Buddhist, Hindu, Muslim and Christian cultures, seems to have made the biggest impression. In Mr. Shaw’s phantasmagorical paintings, Victorian fairies and Hindu deities mingle in settings inspired by Persian gardens and classical ruins. Luxury - gemstones, sequins and glossy enamel, manipulated with porcupine quills - is the unifying element.

Another artist who both embraces and subverts a native tradition is Shahzia Sikander, who was born in Pakistan and now lives in New York. She focuses on the tensions that exist in Islam, Hinduism and Christianity as well as her personal history, politics and sexuality, and particularly that of the role of Muslim women. Sikander
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