Coleridge's Kubla Khan

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The strong supernatural themes present in Coleridge’s ‘Kubla Khan’ and it suggestion of the endless possibilities of man’s imagination make it typical to the genre of Romanticism. We can suggest that the primary poetic subject for ‘Kubla Khan’ was the natural scene. It is apparent throughout the whole poem that nature had served as a stimulus into the making of Kubla’s paradise. The natural landscape and its thorough description is a characteristic of Romantic poetry present in the works of numerous renowned poets. Imagery, sound, personification, exclamation and similes are features that contribute to the depiction. In addition, the notion of the dream is like an insight into the poet’s character, giving the poem a somewhat personal element. This is another indication to the genre of Romanticism. It is obvious that Coleridge utilizes imagery to fashion his vision or Kubla’s Paradise. There are three levels to Coleridge’s vision of Xanadu, which are formed by a series of images. These three levels are linked by the river as it flows from one level to the next. The first level is of Kubla’s Earthly paradise enclosed by walls and towers. Here the imagery depicts a natural landscape but with a sense of life and vegetation. Even the river, at this point, which is meant to be deriving from a darker and wilder world, is flowing in ‘sinuous rills’. The description of natural phenomena present in this level is an indication of the Romantic genre. The next level of the vision is of the ‘caverns measureless to man’, which is supposed to be a dark kind of underworld. The exclamation, ‘But Oh!’ marks the change in the tone as well as the change in description. The imagery in this level is like an indication to the strong supernatural theme present in Coleridge’s work. This is another characteristic that fits under the Romantic genre. The caverns refer to the natural
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