Christian and Classical Values in the Sistine Chapel and the Stanza Segnatura

1492 Words6 Pages
The Late Renaissance period, from 1500-1600, was a time of artistic rebirth when artists rediscovered classical (pagan) values and thinking. Subject matter prior to the Renaissance was mainly religious and concerned with helping viewers focus on heavenly things. The Renaissance saw the broadening of religion and art compared to the narrow religious perspective of medieval times. This was due to the development of Franciscan naturalism, humanism, scientific enquiry and economic prosperity, forming an ideal climate for artists to explore and express their personal creativity and values. The Renaissance was also a new era in patronage. Works were commissioned by the church or wealthy patrons who controlled most aspects of the work such as subject matter, location, size and medium. From the age of fifteen Michelangelo was taken into the household of Lorenzo de Medici, a wealthy poet, architect, politician, businessman and patron of the arts. Michelangelo lived with the Medici family, who hosted many humanist and Neoplatonic thinkers and in this stimulating environment he became a trained intellectual as well as a uniquely gifted artist. Reputable artists, like Michelangelo, were sufficiently trusted and admired to allow more freedom of expression. Michelangelo was commissioned by Pope Julius II to paint the ceiling of the Sistine Chapel in the Vatican City in 1508. These frescoes reflect Christian beliefs because they are situated in the Vatican City, the heart of Catholicism, and were commissioned by the Pope, the head of the Roman church. In addition, Michelangelo himself was a devout Christian however he was also a devotee of Plato (an ancient Greek philosopher) and in the Sistine Chapel we see a merging of both classical and Christian values. For Michelangelo these apparently contrasting values were not in conflict and he was given the freedom by Julius
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