'Chris Keller Has Every Reason to Feel as Guilty as His Father’ How Far Do You Agree with This Comment?

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In Miller’s All My Sons, Chris Keller is initially portrayed as the righteous and “holy” figure that pushes for societal responsibility and love for our fellow Man. Chris’s appearance of Christ-like goodness is slowly peeled off as the play progresses when his hypocrisy is revealed through various methods such as the contrast between his insistent calls for social responsibility and his revelation of self-interest and suppression of truth; offering audiences the possibility that Chris may not be less guilty or a better person than anyone. In addition, Miller problematizes Chris’ ideals through his persistent pursuit for justice and morality that irrevocably sacrifices the family unit, which holds Chris responsible for destroying his own family in his relentless chase of his own obsession with his own set of ideal values. Finally, the neighbors function as the Greek chorus sheds light on Chris’ involvement in his father’s crime through the suppression of truth and omission of actual action to reveal Keller’s crimes. Hence, Chris Keller has every reason to feel as guilty as his father because while Keller’s guilt lay with his wartime misdeeds, his guilt lies in his hypocrisy, betrayal of the family and his implicit participation in Keller’s crime. Chris Keller’s hypocrisy in upholding his duty towards society is slowly introduced as the play’s structure showcases him as an upright individual in Act One, an individual who has forsaken his values for his personal interest (Ann as his love interest supersedes his concerns) in Act Two. In Act One, Chris is portrayed as having strong commitment towards acting for the overall good for everyone over self-interest. Chris’s commitment towards sacrifice is made clear when he tells Keller “Every time I reach out for something I want, I have to pull back because other people will suffer”. The usage of the absolute term

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