Black Beginnings

327 Words2 Pages
Bogle, Donald. Toms, Coons, Mulattoes, Mammies and Bucks: An Interpretive History of Blacks in Film. 4th ed. New York: The Continuum International Publishing Group Inc., 2001. An outline of the chapter, “Black Beginnings: from Uncle Tom’s Cabin to The Birth of a Nation” 5 Major Character Types: • Uncle Tom: (first Black character) hearty, submissive, stoic, generous, selfless, heroic and loyal to white massas • Coon: unreliable, crazy, lazy, subhuman, thief 3 categories: Pickaninny-juvenile character, harmless, eyes popped, hair stood on end when triggered by excitement, antics pleasant and diverting Pure coon-no-account niggers, unreliable, crazy, lazy, subhuman (Rastus) Uncle Remus-harmless, congenial, quaint, naïve, comic, philosophizing…show more content…
Ill-fated due to her racial inheritance, Black blood • Mammy: female coon, fiercely independent, usually big, fat, and cantankerous. Aunt Jemima “handkerchief head” more polite than mammy, not as headstrong • Black Buck: 2 categories: Brutes-barbaric, subhuman, feral, full of black rage, sexually repressed Black Bucks-big, baadddd niggas, oversexed and savage, violent and lustful for white flesh. D.W. Griffith’s The Birth of a Nation most significant archetypal figure. The Birth of a Nation (1915) highly controversial, seminal film that introduced the mythic type of the brutal black buck and presented the other types, as well. All types were seen as villains and a threat to white rule. The story is of the Old South, the Civil War, the Reconstruction, and the emergence of the Ku Klux Klan. It is based on Thomas Dixon’s novel The Clansman: A Historical Romance of the Ku Klux Klan (1905), which was instrumental in reviving the Ku Klux Klan (KKK). The film almost single-handedly paved the way for Hollywood’s stereotypical depiction of Blacks that persist
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