Baroque vs Natural Trumpet

1396 Words6 Pages
“Telemann Trumpet Concerto in D Major” In this essay I will be comparing two different versions of the Telemann Trumpet Concerto in D Major. George Philipp Telemann (B. March 14 1681 – D. June 25 1767) was born in the town of Magdeburg in Germany. He was born into a family of ministers but at a young age he taught himself to play several musical instruments and also taught himself to compose. He studied at the University of Leipzig studying law. During his time here another student at the university arranged to have one of his compositions performed and after this performance he found himself writing for the largest church in Leipzig. He composed literally thousands of works, including 12 complete cantata cycles for the liturgical year, 44 Passions, oratorios, funeral and wedding services, chamber music, about 40 operas, and over 600 overtures in the French style. Whereas J. S. Bach could maintain his individuality when he wrote in the French or Italian style, Telemann prided himself on taking on the characteristics of every national style, writing in what was then called the new style galant. He could write with ease and fluency in any of them and often absorbed influences of Polish and English music. He composed equally as well for the church as for opera and concerts. His music was natural in melody, bold in harmonies, in rhythm, and beautifully orchestrated. Profound or witty, serious or light, it never lacked quality or variety. As of this point Telemann was and still is renowned as one of the most prolific composers of his time. The 2 instruments being used in the essay are the baroque trumpet and the piccolo trumpet. The baroque trumpet is a traditional instrument created during the baroque period and used no valves or vents. “They were limited to playing notes from the harmonic series, and were popular for many years before the advent of Equal
Open Document