Art Of The Harlem Renaissance

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Art of the Harlem Renaissance The purpose of this research paper is to discuss art during the Harlem Renaissance. The Harlem Renaissance began during the early 1920s and ended during the 1930s. It began mainly in Harlem then travel to the Midwest. The Harlem Renaissance, also known as “The New Negro Movement” was a wide range of things for different people. Philosophers saw it as an opportunity to put African American issues at a place of importance. Some also considered it jus a strategic business opportunity for publishers, theatre producers, and other entrepreneurs during the 1920s and 30s. The most voiced opinion was that of the African Americans who participated in this “New Negro Movement”. Especially the Blacks whose lives were documented, affected, and imitated in the artwork and theatre productions of that time frame. The importance of Harlem as the origin of the renaissance in the visual arts in the 1920s and 30s is highly questionable. Due to the fact that Chicago premiered the first African American art exhibition and Harlem artists were not recognized until afterwards. Although the “New Negro Movement” was graced by the presence in Harlem of Aaron Douglas, James VanDerZee, and Malvin Gray Johnson, its place in African American history is not compatible with the notion of a large artistic popular front. Harlem artists were sometimes deemed inferior or irrelevant because of their artistic training and extracurricular activities. (Powell 51/52) Many of the famous African American visual artists of the Harlem Renaissance documented their life and culture in their artwork. Augusta Savage was known in Harlem for her sculptures. However, Malvin Gray Johnson was considered a true Harlem-based artist due to all his winnings at the Harmon Foundation art competitions between 1926 and 1933 (Powell 52). Miguel Covarribias was a Mexican caricaturist who was
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