Analysis Of Evan's Two Moms By Anna Quindlen

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Where’s the Love? Since the early 1960s’ “sexual revolution”, spectators, politicians, and the general public have contemplated whether or not homosexuality is a legitimate sexual gender; the term ‘gay’ being seen as a rejection to the false dichotomy of sexuality. Since then, people have been fighting for lesbian, gay, bisexual, and transsexual (LGBT) rights; each in their own way. From the radical “Stonewall Riots” and “Gay Liberation” to the quiet, sophisticated widespread of convincing newspaper articles and objections to unfair treatment in law, Anna Quindlen uses her 1992 New York Times article, “Evan’s Two Moms,” to convey such. In Anna Quindlen’s Evan’s Two Moms, she successfully and resourcefully uses ethos, pathos, and logos to…show more content…
Quindlen provides examples of the “public events” and the “private struggles” within this neglected community, thus the case of it being a “Public & Private” matter as emphasized in the title (1-3). The “public events” provided is placed here in attempt to subdue the reader with hope that these communities aren’t just sitting around waiting for something to happen, but are making changes within society, such as adopting kids, winning court cases, and beginning to recognize equality by their peers of youth (in “Evan’s Two Moms”) (2-3). While this may be affective, Quindlen takes no risk in jeopardizing her clause and includes the “private struggles” within the community to further enunciate the superfluous hardships in which this part of society has to endure. This brilliantly impales the reader with nearly automatic sympathy. The event that occurred in Madison, Wis. is used to further engulf the reader in constant sympathy with the use of, “It’s one of those small things that can make you feel small” (6). In stating this OPINION, Quindlen, in hopes to convince the reader, weakens her argument by positioning the article in a less effective second person point of view. By stating, “Love and commitment are rare enough”, Quindlen struggles to execute one final stab at the reader’s heart (11). This statement, though vague, consists of content Quindlen attempts to seize the reader’s opinion with, in order to counterpart that of her

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