Alyssa Rosenberg's Crisis Summary

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Alyssa Rosenberg looks at the implications of Jezebel’s troll crisis: The Jezebel staffers’ complaint [that their parent company isn't blocking porn-bearing trolls] raises a broader issue. As publications have struggled to figure out what will reliably draw in both readers and advertisers on the Internet, feminist posts have emerged as a clear success story, one that provokes a unique response, both positive and negative. Feminist political commentary, feminist cultural criticism and women’s first-person narratives and personal essays have all done well in this challenging new ecosystem, even as they have inspired a particularly ferocious backlash. Many online publications have been willing to profit from these positive responses, but they have been slow to protect the writers and editors who must deal with ugly responses. Rosenberg expands on the economics of women-oriented journalism: One of the attractions of feminist writing is that it can be inexpensive to produce. XOJane, a…show more content…
If one staffer is exhausted by a tidal wave of sexist e-mail and comments, another one will be eager to take her place, confident in her own imperviousness. If a writer becomes uncomfortable with using her own life for material – or, like Hannah Horvath on “Girls,” runs out of life experiences to turn into stories – there will be someone else out there who is invigorated by the possibilities of the personal essay. We shouldn’t look at this as women simply liking to overshare. This is what gets page-views, and what’s the easiest for the most writers to produce. The desire here is about getting published, not (in most cases) about sharing something personal with the world. Personal sells, but it’s also what attracts the most painful sort of

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