Algernon: a Work of Art

478 Words2 Pages
Algernon uses Wilde’s aesthetic principle to transform his life into a work of art. Algernon is an advocate of aestheticism and a substitute for Oscar Wilde himself. Algernon does not have any moral principles at all, acknowledging no other obligation than the responsibility to live beautifully, pertaining to the key ideologies of aestheticism. Basically put, the central element of aestheticism is that art exists for the sake of art, relying on its magnificence alone; it does not need to serve any other purpose, such as a deep or underlining meaning. Algernon exemplifies these principles in many instances all throughout the play.
In the opening of the play, Algernon inquires whether Lane had heard him performing on the piano. Lane responds saying that he “…didn’t think it polite to listen….” Algernon goes on to say, “I’m sorry for that, for your sake. I don’t play accurately—anyone can play accurately—but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life.” (Wilde 295). In this quote, Algernon denounces accuracy and science, claiming that they have no business in his musical art. He separates art from any beneficial purpose and exhibits Wilde’s aesthetic principles. Algernon instead pronounces that his music refers to “Life”, which shows how he lives life for the purpose of living life, like Wilde believed that art should be made for the sake of art.
Later in the play, Algernon institutes himself as an exemplary aesthetician. “It is awfully hard work doing nothing. However, I don’t mind hard work if there is no definite object of any kind” (Wilde 314). Here, he commends work containing no objective, such as aestheticism acclaims fine art containing no aspiration. Therefore, his life could be considered a work of art, serving no purpose other than being pleasant to observe.
A further method by
Open Document