“a Different Species.” to What Extent Is America Presented as Divided Along Class Lines in a Streetcar Named Desire and the Great Gatsby?

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“A different species.” To what extent is America presented as divided along class lines in A Streetcar Named Desire and The Great Gatsby? As proven by the age of McCarthyism and the subsequent Cold War, Marxist and American ideology are fundamentally contradictory to one another in their beliefs and ideals. Nevertheless, a Marxist literary theory applied to American literature is key to uncovering Capitalist society’s dissatisfaction with itself, and exposes a “dark underbelly” to the supposedly ‘Golden 20s’. Both The Great Gatsby and A Streetcar Named Desire, represent the class divide as inciting jealousy, hope, and despair in those wishing to achieve the symbolic American dream, whilst additionally questioning the morality of the dream itself. Interestingly, the two works are set either side of the Great Depression, each an iconic epitome of the respective classes they portray. Both Fitzgerald and Williams critique certain traits of the Capitalist model, be it through the shady “drug-store business” of Gatsby, or Blanche’s inability to integrate into this ‘brave new world’. Whilst one cannot label either text as Marxist, there are several compelling arguments that explore the fundamental shortcomings of American society, and question the suitability of Capitalism as a viable socioeconomic model. In A Streetcar Named Desire and The Great Gatsby, the class division is illustrated through a lack of social mobility. Myrtle Wilson in The Great Gatsby, embodies the futile struggle of those wishing to ascend the social hierarchy, with her belief that she will attain the ostentatious lifestyle of the rich ‘aristocrat’ Tom Buchanan. Her relationship with Tom affords her a “cream coloured Chiffon dress” and when asked about it she replies “I just slip it on when I don’t care what I look like”, elevating her social standing to one closer to Tom’s with thoughtless
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