“A Calm At a Mediterranean Port” Analysis Paper

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Vernet was born in Avignon.At the age of fourteen he helped his father, a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, not satisfy, Vernet started for Rome. As the sight of the sea at Marseilles and his voyage toward to Civitavecchia Papal States' main port on the Tyrrhenian Sea made a deep impression on him, and immediately after he arrived he entered the studio of Bernardino Fergioni. a marine painter. Slowly Vernet attracted attention of the artistic milieu of Rome. With a certain conventionality in design, proper to his day, he allied the results of constant and honest observation of natural effects of atmosphere, which he rendered with unusual pictorial art. For twenty years Vernet lived on in Rome, producing views of seaports, storms, calms, moonlights. In 1753 he was recalled to Paris by royal command, he executed the most remarkable series of the seaports of France now in the Louvre and the Musée national de la Marine by which he is best known. On his return he became a member of the academy, but he had previously contributed to the exhibitions of 1746 and following years, and he continued to exhibit, with rare exceptions, down to the date of his death, which took place in his lodgings in the Louvre on the 3rd of December 1789. Amongst the very numerous engravers of his works may be specially cited Le Bas, Cochin, Basan, Duret, Flipart and Le Veau in France, and in England Vivares. For my analysis paper I have chosen the artist Claude-Joseph Vernet and his painting “A Calm at a Mediterranean port”. In the painting we can see what looks like a sun set scene of a port; we can already see a large amount of shaded colors. At the same time I also see a dark and light contrast as the composition is compose of many shaded objects. But almost instantly

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