Zao Gongen Essay

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Zao Gongen is a piece of sculpture from the Heian period that took place in the 11th century in Japan. The sculpture is made of gilt bronze with engraved decorations. It stands 13 5/8 inches and is 7 1/8 inches wide. Zao Gongen is a representation of the Japanese religious life, icons, and practices. The Heian period between 794 and 1185 was named after the location of the capital which in 794 moved from Nara to Heian-kyo. This period was characterized by a culture that aristocracy that was influenced and looked to purse artistic improvement. Gongen is a Japanese word meaning “avatar.” The word refers to manifestations of Buddhist divinities who remain on Earth to bring salvation to all living beings. In the late Heian and beginning of the Kamakura period, naming shrines with names of the gongen became popular. This artwork depicts a Zao Gongen in a demon-defeating phase. He is thought to be showing the dedication of his cult. The Zao also shows the newly appealing sense of the Fujiwara family who had come into power during this time and where its strongest believers. He is standing on his right leg with his left leg raised in a bent position. His left arm is bent resting on his hip. The left hand near the hip forms the mudra hand gesture which is associated with another deity named Gundari Myo-o. This pose is symbolic of conquering evil. His right arm is raised in a fist position. At one point the right hand held a vajra, which was a ritual scepter with a bell. He is wearing a garment that appears to be blowing in the wind. This implies his power and fierceness. Icons like this are thought to have been placed in a grotto and worshiped by the people. Zao blue-black in color, with hair standing on end and holding a vajra in his right hand. Zao typically appears with scowling face, three eyes,

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