Wiliam Blake and Desire

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William Blake's Concept of "Desire" William Blake was a noted poet and painter who was a forefather of the Romantic period in the18th century. Known by his peers as being an eccentric "visionary", he was obsessed with thoughts and concepts that were beyond the level of knowledge of most humans. Blake was critical of religion and yet very spiritual, trying to solve many questions that were left unanswered and was continually trying to reach a state of transcendence. His creative thinking seems to refer to God's nature and power as being wholly independent of our physical knowledge. Although assaying to reach transcendence as a whole being, he transfers this quest through immanence in some of his poems. Portraying God as fully present in the physical world and accessible to creatures in various ways. William Blake conveyed most of his messages through his conception of "desire". The 11th edition of the Britannica Encyclopaedia published in 1911, describes desire as "a term for a wishing or longing for something which one has not got. The substantive desiderium has the special meaning of desire for something one has once possessed but lost, hence regret or grief" (Desire. (11) 1911 [cited. Available from http://www.1911encyclopedia.org/Desire). Blake views humans as "beings of desire", and bids that they can somehow re-possess their state of grace and regain their once lost symbiosis with God. How can this envy of desire be attained with a transcendent level of thought of what is divine? Blake answers this through immanence, which is diametrical to transcendence; two opposing forces combined to enunciate his "vision". The poet uses the concept of Hell on Earth to portray evil in his poem "The Tyger". Here, a question is presented: Who created the tiger? "What immortal hand or eye Could frame thy fearful symmetry?" God being portrayed here as immortal,
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