The values of heritage seem to have been lost with the gain of knowledge when Dee has gone to college. Her actions she displays when she comes home for a visit are shocking to her family. It is almost as if Dee is using them for a show, rather than a visit that has been well overdue. It’s one thing to know what heritage is but another to understand what your heritage is. Mama was always one who could not say “no” to her daughter and she always tried to please her regardless if her daughter appreciated it or not.
In contrast to Cindy’s new found self esteem, her mother seemed to uphold a strong lack of confidence in her daughter and in herself as well. By the same token, in the second article “The Thrill of Victory … The Agony of Parents”, the author presents the opposition through her mother. Jennifer Schwind’s mother appeared as an embarrassment to her publicly and emotionally. “In a voice so screeching that it rivaled fingernails on a blackboard, she told him that he was a disgraceful coach and that he should be ashamed of himself” (Pawlak 3). While in her mother’s eyes, she only supported her daughter and craved the absolute best for her child.
During this process her daughter’s destiny goes astray from what she had envisioned for her and blamed herself for the outcome. Although, to some it may seem that she took the easy way out, this mother battles herself all the while asking herself what she could have done differently. Her daughter Emily was brought into the world during “The Great Depression”. Not too soon afterward, her father walked out on Emily and her mother and had left them to fend for themselves. The mother found a job that would help provide for them.
She describes Stella-Rondo be inconsistent and unstable based on her being spoiled when they were children. Sister uses this immediately to make a point of her sister’s unappreciation for everything she has ever had. But she never describes how she behaved as a child which can be suggested that she may think the reader can assumed she was the better of the two. Then, she goes to say that out of nowhere Stella-Rondo leaves her husband and returns home with a two-year-old child whom she claims is adopted. Sister sees right through her sister’s façade considering the timing of everything.
After the incident of her mother taken away from her she drastically became a whole another person. At her new foster home Antonia wasn't as nice as she once was. Antonia was rather rude to her foster parents Tillie and Luis. She was open minded and caring before but once she was brought into the new foster family it was as if she had lost these character traits. She still showed love to her mother and brothers but she still boxed out the foster parents who have treating her as a princess.
The mother doesn’t understand the daughter’s life, and this failure to understand leads to her to distrust her daughter. Dee sees her new persona as liberating, whereas the mother sees it as a rejection of her family and her origins. Dee indeed rejects her family by changing her name to “Wangero”, “she’s dead”, she responded when asked “what happen to Dee” (28). Later, Dee tried to get stuff from the house like the bench, the butter chunk, just as decorative objects but her mother sees those “objects” as a symbol, as a living proof of her family, her tradition. The mother wants her daughter to see those precious objects that way too.
Here, Nea acts without thinking and makes it sound like Sourdi will die if they don’t go to Des Moines. Nea’s decision to call Duke for help leads to Sourdi’s husband getting punched in the face. Also, this episode results in the two sisters growing further apart, which is not Nea’s intention. The mother brings some light onto Nea as a character. She tells Nea: “You not like your sister.
In O’Connor’s story the grandmother is trying to make peace with the misfit with the grace of God. “The Misfit has an opportunity to accept grace but recoils in horror at the Grandmother’s gesture” (Piedmont-Marton). In Laurence’s story the mother is constantly trying to get her daughter to be more of a “girl” instead of working with the father on the farm, “For years she has helped out her father, but that winter she realizes that her mother is expecting her to become more of a “girl” — working in the house, for instance, instead of in the fox
Stella is willing to look past everything Stanley does because she loves him and that makes her the fool of the play. After finding out Stanley raped her sister she still chooses Stanley though she asks herself “what have I done to my sister?” Stella is so stuck on her life as it is that she’s not willing to accept that Stanley is not the man she once deceived herself he was and that internal conflict is what makes her a huge
Before Juliet meet’s Romeo, Lady Capulet is very distant from her daughter which is shown in several circumstances including when Lady Capulet announces “Nurse, give leave awhile. We must talk in secret. - nurse, come back again” (I, iii, 8-9). This quote is significant because it shows that just being alone with Juliet makes her nervous and shows the rift between them. After Juliet has refused to marry Paris, Lady Capulet gets very upset but even she is shocked by Lord Capulet’s reaction and shows this by saying “fie, fie, what, are you mad?” (III, iiiii, 163).