This scene is a turning point because Terry makes up his mind to confront the mob at that moment. Although Terry complains that he “coulda been somebody”, he finally does become someone worthy of our admiration. He does this by confronting his problems, but also through the great acting of Brando which allows the audience to connect with the character. As Charley and Terry are in a cab rolling towards Terry’s death, Charley tries to convince him to take a good job and not say anything about Joey’s murder to stay alive and help the mob. In the past, Terry lost a boxing match that he could have easily won because his brother asked him to.
Aristotle’s Criteria for Finding Nemo Aristotle’s criteria for a literary tragedy and Finding Nemo are a modern example that doesn’t agree with his definition. I’m going to see if the children classic Finding Nemo meets Aristotle’s criteria for a tragedy. Aristotle’s definition for a tragic hero is a man who is noble, who makes a mistake (usually pride) who suffers and accepts his own downfall. The play “Oedipus” by doesn’t fit Aristotle’s criteria for a tragedy because he doesn’t have a tragic flaw he has a virtue. His virtue is compassion because he loved his parent too much so he ran away from them.
The godfather quotes are so profound and so memorizing that it touches you, you take those quotes into your heart and soul. There absolutely unforgettable, there so powerful that even you take them with you, “A man, who doesn’t spend time with his family, can never be a real man”-Vito Corleone. Vito, who’s an aging mafia boss, introduces this simple quote yet powerful to his grandson who has issues and asks for guidance to his godfather.”Keep your friends close, but your enemies closer”-Michael Corleone son of Vito who like his father speaks with such profound words. The godfather quotes are not only so memorizing, but you also gain knowledge from it. In addition, when it comes to making a successful film, it’s all about the cast.
Unlike Greek plays, where main characters were kings and nobles for they were thought to embody the whole community, modern tragedies present an average leader of a family, neither completely good nor completely evil, whose mistake leads to his self-destruction. Joe is a role model to his neighbourhood for he is a hard-working, decent man; it is easy to feel identified with him. We see how significant he is among his neighbours since even children have a sense of respect for him. We see this when little Bert says; “Except some kids from Thirtieth Street. They started kicking a can down the block, and I made them go away because you were sleeping”.
Other characters present in this scene are Antonio, Leonato’s brother, the naïve Hero’s uncle, whose purpose in this scene is to comfort and convince Leonato to stop feeling guilty about the false accusation on Hero and to instead condemn the people who blamed Hero; and Claudio, who is a shy gentleman in love with Hero but falls for Don John’s trick and insults Hero in public on the day of their wedding. Claudio’s purpose in this scene is to show the weakness of his character, and to show his dependency on other strong characters for his decisions. This passage basically talks about the false accusation on Hero during his wedding day and the guilt Leonato faces
“Watch its bloody course”. He makes the audience realise that the play is a tragedy and Eddie cannot escape his destiny. He also introduces the main comments to the audience, “settle for half”, “The law is not a friendly idea “ which means he is saying make sure you do anything for your family, which relates to what Beatrice talks about when he is telling the story of Vinny Bolzano. He explains that Vinny had an uncle, who was staying with him. However his uncle was an illegal immigrant.
Alonso King of Naples and father of Ferdinand. Alonso helped Antonio in usurping Prospero’s dukedon in the early years. Alonso may have made some errors in the past, but he isn’t an evil-natured man, because throughout the play he seems aware of his past actions and he regrets them in the end. 1.He is also very naive because he doesn’t notice what Antonio and Sebastian are planing, which is to kill him so that Sebastian cam be king (this is shown at the end of the scene. Pg 83 L199-201 “I see... your head.” 2.In this scene alonso is devasteted because he thinks his son died when the shipwreck happened during the return journey from his daughter’s wedding in Tunis(pg 75 L102-105 “You cram... is lost-”).
The state of Piedmont, one of the four states where the Austrian leaders were forced to grant liberal rights, led the revolution. One of the largest problems that Italian revolutionaries faced was Austria’s strong army. In addition, Austria was weakened by revolutions in areas such as Vienna, as well as Metternich’s resignation on 13th March 1848. This action gave hope to many Italians, who are also revolutionaries, and encouraged a guy named Charles
Hamlet: Justice or Revenge In the era portrayed in William Shakespeare’s Hamlet, justice is mostly carried out by oneself and not the court of law, and it is a thing of honor to avenge the death of a loved one. However, Hamlet’s quest for justice over his father’s murder does at some point turn into personal revenge, as he wants to have vengeance on his uncle in ways that become more personal. Hamlet loses track of the main reason for wanting his uncle dead and hatred grows for Claudius, his uncle, such that he wants to make sure that Claudius does not go to heaven when he dies. His uncontrollable emotions show when he kills Polonius and does not care about his actions. Hamlet even seems to have forgotten the main reason why he is avenging his father’s death.
Hence, Chris Keller has every reason to feel as guilty as his father because while Keller’s guilt lay with his wartime misdeeds, his guilt lies in his hypocrisy, betrayal of the family and his implicit participation in Keller’s crime. Chris Keller’s hypocrisy in upholding his duty towards society is slowly introduced as the play’s structure showcases him as an upright individual in Act One, an individual who has forsaken his values for his personal interest (Ann as his love interest supersedes his concerns) in Act Two. In Act One, Chris is portrayed as having strong commitment towards acting for the overall good for everyone over self-interest. Chris’s commitment towards sacrifice is made clear when he tells Keller “Every time I reach out for something I want, I have to pull back because other people will suffer”. The usage of the absolute term