Aether is communication through movement, trying to send a message and is difficult to define. In the beginning of the piece the dancers use alot of typing hand and finger movement which becomes their motif, creating lots of movement and steps with the motif. They don’t dance in unison in this piece but dance through special relationships and the occasional partner work. Movements were very robotic and sharp flick dynamic in this dance, but some aspects were flowy showing contrast between movements which fit in with the white noise of the music. Towards the end of the dance they hold hands and create different movement that is more human like.
If you miss rehearsal, get with someone prior to learn the choreography you don't know. If you don't make the YouTube video, don't get the job, or don't get called out for the "special" group; it doesn't mean you stop coming to class. In fact, the very opposite…you KEEP SHOWING UP. perseverance and SHOWING UP is often how a job is booked. If a dance doesn't win, it doesn't mean it's bad.
It was a very difficult time for me, and I didn’t want to talk about it, or know how to deal with it. I found it helpful to put music on and just dance. I would dance for hours in my bedroom until I felt better. I use dance as my emotional outlet, I am able to show what I am feeling and it helps me keep from bottling up my emotions. 9.
Boal’s Theatre of the Oppressed and Meyerhold’s biomechanics are both recognised as revolutionary developments within the theatrical community. Meyerhold’s work examined and experimented with the physicality behind performance forms (such as Commedia Dell ‘Arte and mime). He formulated a new approach to acting based on physical training and mechanical movements which is known as biomechanics. He used these techniques to create ‘truthful’ performances, without the need for vocality or evident emotions in the characters, rather utilising movement, space, rhythm and gestures as primary elements in order to portray situations. He believed that actors could learn to present their character without trying to ‘become’ their character, unlike Stanislavski, who believed that actors should be able to bring out their character on stage through emotional memory (tapping into past emotions felt).
1.2 Describe the impact of specific conditions on the correct movement and positioning of an individual. If you have someone who has had a stroke this may cause them to loose the use of their limbs which mean that it is important to remember that you dress the bad side first and undress it last. This is so you are not pulling their muscles in the direction they won’t go. 3.3 Identify any immediate risks to the individual. Risks can occur every day which is why it is important to always check to identify the risks straight away and try to correct it weather it is the wires are hanging down on the bed which could be a risk if the hoist gets trapped on them, or even if the sling you are using has a tear in the seam.
Which could make them feel discriminated against. A way to overcome this is by having a person who may come in a couple of days a week to be activities coordinator, this will ensure that there will be a member of staff coordinated for activities and can run a variety through out the afternoon, while the carers carry on with there other jobs. Another difficulty that was encountered was giving residence choice, this was a difficulty, for example if the residence was given choice of dinner, they may all put something different down, this would be hard to complete because of lack of staff to be able to make such a variety of meals, in a short period of time. A way to overcome this by making a set menu, a menu for week and a menu for week b. with only two different meals to choose from, but different each week. This will ensure the residences still have choice, but it’s still manageable by staff, and also will stay in budget for the care home.
I’m a dancer who likes to dance to any music that I can easily make up choreography to. Whenever I always listen to music I tend to create a dance in my mind out of the song I am listening to. Honestly I really can't sum my life up only on one page but I’ll do my best. I love to laugh and have a good time, I'm usually smiling and if I’m not, most likely something’s wrong. I laugh over the littlest and stupidest things.
At first the rehearsal was so quiet that I could hear a pin drop. I really thought there was no way I was going to survive that week if there were going to be such an awkward tension. As the rehearsal proceeded the dancers began to let down their walls and we started to mingle with one another. Gradually my shoulders started to rest. In conclusion, last summer I learned so much about my team, dance and myself.
If I try to please everyone, I will burn out and feel terrible when expectations are not met. I need to take the initiative of finding my true interests. I have just started to reach the cusp of my potential but I need more seasoning in order for it to be fully
Learn to say no. Also a tough one for me as I am always asked to resolve issues and do not want to shy away from those requests. 4. Get ready the night before. This one I practice daily to get ready for the next day I always do as much prep as I can to help