What Ideas About Spring Does Edward Thomas Explore in “but These Things Also” and “March”

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In both “But these things also” and “March” Thomas explores a variety of ideas about spring. Thomas also compares spring to the season of winter. He presents ideas about spring which very much correlate to the time the poem was written, it is as if spring is his light at the end of the tunnel, the tunnel being the end of the war. He also presents thoughts of doubt, once again correlating to the time the poem was written, suggesting the war will never end. In “March”, Thomas presents the idea that spring is the sign of hope not just to the persona of the poem, but perhaps to all the soldiers who were fighting, through the use of personification; “That it was lost, too, in the mountains.” This personifies the spring, suggesting that it is lost as if it cannot find its way through the “mountains on mountains of snow and ice in the west.” It could also be suggesting that the persona of the poem is lost in the harsh winter, possibly a metaphor for the war, and he cannot find his way to spring, to the end of the war. This idea that spring is supposed to be a sign of hope is also echoed in “But these things also” as the persona is trying to cling on to any signs of spring, no matter how petty they may be, that are visible in the “grass long-dead that is greyer now”; “and small bird’s dung in splashes of purest white”. This quote shows that the persona has nothing but the symbols of spring that are taken for granted to hold on to as a sign of hope as even though spring has arrived, the war still rages on, “Winter’s not gone” acting as a metaphor for the war. Thomas also presents the birds as a sign of hope in both “March” and “But these things also” through the use of iambs. The iambic pentameter is “March” is energised by the introduction of the thrushes singing. This gives the sense of desperation and despair suggesting that if spring does not arrive with all possible

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