Zoey Crain Comp 1302 Prof. Dodge February 9, 2012 The Yellow Wallpaper The psychological thriller, The Yellow Wallpaper, by Charlotte Perkins Gilman is a short story about a woman with postpartum depression. The narrator’s husband and brother concluded it was a nervous depression. Her husband and she move out to a rather suspicious house, so she can better herself. She isn’t aloud to do any kind of work and is given strict instructions to get air and relax her self.
She untangles its chaotic pattern and locates the figure of a woman struggling to break free from the bars in the pattern. Over time, as her insanity deepens, she identifies completely with this woman and believes that she, too, is trapped within the wallpaper. When she tears down the wallpaper over her last couple of nights, she believes that she has finally broken out of the wallpaper within which John has imprisoned her. The wallpaper's yellow color has many possible associations - with jaundiced sickness, with discriminated-against minorities of the time (especially the Chinese), and with the rigid oppression of masculine sunlight. By tearing it down, the narrator emerges from the wallpaper and asserts her own identity, albeit a somewhat confused, insane one.
Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from depression and how severely her condition is misunderstood by those around her. The setting of the story is in itself a character in the narrator’s story. The old mansion with the yellow wallpaper has many symbols used by the authors to explain the desperation of the narrator’s desperate loneliness. The ironic part of this tale is that her cure of “rest” only pushes the narrator further into her madness. The woman in this story is an ironic symbol of all women in her time, she is unheard and alone in her illness.
The room she stays in has yellow wallpaper that will later contribute to her psychological downfall along with the oppression felt from her environment. In both pieces of literature, the authors use a technique of gradually progressing the characters deterioration of their mental capacity. Through dramatic irony and other literary devices, the reader is permitted to see the depth of the characters illness. The narrator in “The Yellow Wallpaper”, stays in a bedroom that was an old nursery which has an unattractive yellow wallpaper on the walls. To the narrator, the wallpaper is a nuisance and the pattern makes no sense to her.
Doubtful. Most people will be at peace if they have experienced love and have loved. This gives meaning and satisfaction to a person’s life – especially when one is on “death’s door.” In the short story, “The Painted Door” by Sinclair Ross, Ann and John possess vastly different perceptions about what will bring them happiness; not addressing this lack of unity creates distance and tension between them, which greatly compromises their happiness. Ann pursues happiness by trying to talk to John about her concerns, busying herself around the house, fantasizing about Steven and social events. She tells John, “It isn’t right to leave me here alone.
The husband tries to reach his wife but the door has been locked. After many moments of panic, John gets the door open and sees this constant action his wife keeps doing. Shocked, John faints and his wife comments about having to step over his body. One can argue that being confined for so long and limited to her usual rituals, the narrator has come across schizophrenia. After John is questioning her action the narrator states, “I’ve got out at last, said I, in spite of you and Jane.
The ugliness of the yellow wallpaper can be compared to the ugliness of her life at the time of the story, the way her husband doubts her illness and her not being able to break free from his grip. The nursery symbolizes how women were seen on the same level as children. A woman’s role during this time was one of confinement and the barred windows are symbols of this. The narrator tearing down the yellow wallpaper to find the woman represents her attempt to regain her sanity. The wallpaper is her confinement and by tearing it down she frees herself.
The two short stories show how two women have felt trapped due to their situations. In The Yellow Wallpaper by Charlotte Perkins Gilman, the woman is portrayed to have an illness and trapped in a room by her husband in order to get better. In A Rose for Emily by William Faulkner, Emily's father has overprotected her denying her a normal life. When he dies she is left with no one guiding her and she decides to trap herself in her house. In the two short stories, both women feel repressed in their role unwillingly to escape their room leaving them to have a distorted reality created by their mind.
William Miller February 27, 2012 “The Yellow Wallpaper” A Critical Analysis Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded. The un-named woman is to spend a summer away from home with her husband in what seems to be almost a dilapidated room of a "colonial mansion" (Gilman 832). In order to cure her "temporary nervous depression- a slight hysterical tendency" (Gilman 833) she is advised to do no work and to never to even think of her condition.
Analytical paper # 2 Due: October 24, 2012 “The Yellow Wallpaper” Charlotte Perkins Gilman’s “The Yellow Wallpaper” is the story of a young woman whose creative appeal and self-expression are suppressed by her society and her marriage. The short story is told by the narrator through her diary, which she describes as an exemption of her thoughts. The narrator is apparently artistic and creative as can be seen through her animated descriptions of the house her husband John has rented. The narrator includes representations of the yellow wallpaper in the upstairs nursery where she and her husband sleep at night. The wallpaper is used characterically to reflect the marriage the narrator finds herself ambushed inside.