The composition is about two sisters 'one who falls and the other who saves'[2]. Laura becomes addicted to some poisoned fruits offered by obscure creatures, the goblins, and soon she will get sick and hopeless about her future. Lizzie, her sister, deceiving the evil supernatural beings will redeem her. It's very important for us to know something about Rossetti's background before talking about different interpretations of her work. First of all we need to consider the debate about religious practice and the importance of religion for Christina: 'Religion played a major role in the formation of Rossetti as an individual, and it is oftentimes reflected in her poetry.
In Victorian society women were expected to be passive and honest, and competed for more wealthy and worthy men. In this poem Maude Clare has obviously had a relationship with Thomas. In the line ‘We plucked from budding bough’ which could be referring to Adam and Eve and how a woman brought evil into the world. The poem is in chronological order with flashbacks to Maude Clare and Thomas in the past. The poem begins as the married couple leave the church, then there is the argument between Maude Clare and Thomas, where Maude Clare reminds him of their relationship.
Therefore, Maria was an innocent victim of the French corruption that nicknamed her Madame Deficit despite she often gave examples of almsgiving. As Campan observed in her Memoirs of Maria Antoinette, when she married the dauphin, Maria Antoinette was a frightened adolescence who had to defend herself from the enemies of the court. And it was exactly “the mistreatment undergo everyday that made her decide to enjoy life, organize parties, look beautiful and avoid the senseless rule of the French etiquette.”12 Those logical wishes for a 19 year old were used by pamphlets as a way to damage even more the reputation of Maria Antoinette. In fact they exaggerated by assuring that “in one day Maria was able to spend more money than a thousand peasants living in Paris.”13 This was a pure calumny. Though it must be admitted that when Maria Antoinette became queen she refused to understand the privileges that came with the position, she was not the responsible for the poverty and the high inflation of France.
In the tale of The Wife of Bath and Sir Gawain and the Green Knight, my attention is brought to two specific characters. These characters are the Wife of Bath and Lady Bertilak for being so powerful as women and showing dominance over men. These stories were written in medieval times when women were worthless. Back then church and place of living were together. In the church women were supposed to be gentile and virtuous.
Mrs. Turpin considers herself morally superior to others by being a “lady,” and she judges people on their appearance before she even knows them. The grandmother in “Revelation” is very self-centered and judgmental. She likes to label people as “good” or “bad” according to their social status. Both Stories by O’Connor are intended to portray a spiritual grace that is passed from one person to another in a life changing way. Mrs. Turpin and the Grandmother both struggle to grasp this grace; but eventually have no choice but to accept it.
The story of ‘The Bloody Chamber’, presents the unusual relationship of Husband and Wife, through the characters of the protagonist and Marquis. The relationship doesn’t represent the typical relationship bound by love for one another; this is clear from the implied admittance of the protagonist, suggesting she doesn’t love her fiancé. When the mother of the heroine asks her if she loves him, the girl replies with: “I’m sure I want to marry him.” The heroine talks of the Marquis wealth, which immediately presents the reader with a marriage of convenience and fortune. Therefore, from the beginning of the short story, the relationship of the Husband and Wife is
A modern audience may perceive Jane marrying a disabled Mr. Rochester means the loss of her independence. However the Victorian context of this novel illuminates the normality of a wife committing and obeying her husband. When Jane marries Mr. Rochester she commits to to being “(his) neighbour, (his) nurse, (his) housekeeper”. This indicates complete devotion to Mr. Rochester; putting herself in the position of his “housekeeper” immediately rejects all independence she recently inherited. Jane’s new wealth, due to her uncle’s death, allows Jane to be truly independent, “I am independent, sir, as well as rich: I am my own mistress”.
Elizabeth Barrett Browning, a female composer in a patriarchal society that is hi ghly religious and traditional, wrote reluctantly about her love for Robert Barrett Browning throughout her poems. Sonnet XIII specifically reflects on parochial Victorian age values and shows how Barrett Browning does not conform to female expectations as she wrote spontaneously about her obsession with love. Similarly, F. Scott Fitzgerald reveals the consequences of obsession with love and the impact of non-conformity in social and historical contexts through the characterisation of Gatsby, who refuses to conform to expectations of immorality and develops an obsession with this. Thus, the issue of different context and forms is significantly ineffective as the consequences of obsession relatively have the same effect even if the influence was different. Barrett Browning presents positive consequences of obsession as her sonnets, whilst being heavily influenced by religion and spirituality, also
In Margaret Atwood's novel, The Handmaid's Tale, manipulation is exercised through the lessons of the aunts. Their use of propaganda tricks the minds of the handmaid's, showing what position the handmaid's hold and how great it is to be living in Gilead, a place where women are respected and protected; however, it is brainwashing them and turning them into true believers, when in reality Gilead is a prison towards the handmaid's where their only purpose is to reproduce. In Chapter Nineteen of The Handmaid's Tale, during the ride to Commander Warren’s house, Offred has a flashback to when she was in the Red Center. In one of Aunt Lydia's lessons, she discusses how some women believed there would be no future and that the world would explode therefore putting the excuse that breeding was useless, and
The Coquette The Coquette Hannah Fosters 1797 novel presents her critical female freedom and the politics of courtship and marriage within the restrictive confines of a conventional seduction novel. Through Eliza Wharton, Foster creates a woman who goes against the social conformity of a virtuous life questioning the restrictions marriage placed on women. In the eighteenth century women focused their lives on marriage, it determined their place in society, added wealth to the family, and ensured security to women while at the same time filled emotional connections to ones so called soul mate or husband. Eliza Wharton became the exception of the everyday eighteenth century woman. Her quest for herself and her determination in her personal