This doesn't make Bottom a good actor, even though Bottom continually acts out the parts of the others, thinking he can act out every scene solo. Bottom is very enthusiastic and wants to be the centre of attention. He's also the most noticable character amongst the Mechanicals. Mainly because he seems to be constantly talking. Bottom is a complete extraovert, bossy, energetic and quite annoying.
This, to the audience, will seem ridiculous and unnecessary creating a subtle sense of humour. Nearing the end of Act 2 we learn about Viola’s plans for her disguise in order to appear less vulnerable. She then goes on to say ‘thou shalt present me as an Eunuch to him’ which will yet again appear an overdramatic act to the audience. In act 3, Sir Toby Belch is introduced into the play. Shakespeare’s wit and word play used even for simply just the names of the characters can build up laughter.
He said, “I noticed that several of his punch lines had been unintelligible, and the audience had actually laughed at nothing but the cue of his hand slap.” (111) Martin felt that the audience was forced to laugh not because of the joke or because the man was being funny, but because of the cue that was provided. He strongly disliked this and wanted his comedy to be unpredictable and Rodriguez 2 more importantly memorable. This caused Martin to take a deeper look into his own act to make sure that it was set up in a way that the audience would laugh when they actually thought it was funny and not when they felt it was expected of them. He started doing odd unpredictable things to accomplish
“Tartuffe reminds me of a grown up version of a Dr. Seuss book.” says Casey McCall, who plays Mariane, “It really is a great Show, and I think that people will enjoy it a lot.” The audience is in for quite the surprise when they see this show. They’ll be shocked to see how many parallels there are in modern life to a play that was written centuries ago. Every audience member will be able to connect to a character, whether they’re the religious hypocrite, the person who speaks out of place to fight for what’s right, or the young boy having their love seduced by another man who we all know
In my opinion, Shakespeare included this fight scene as an entertainment for the audience. In the 1600s, people tended to like brutal and barbarous entertainment like dog fighting. Shakespeare liked and wanted his audience to be interested throughout the whole play. After Act 2 scene 6, some of the audience would be bored of the marriage scene. The marriage scene moves slowly, displaying Romeo and Juliet’s obssessive love for each other.
This offends John because he compares himself to Romeo (which explains why he is annoying) and Lenina to Juliet (which explains the stupidity). Also, he takes his Shakespeare very seriously. I think that John will, like Romeo, do something really idiotic to gain Lenina’s love. Perhaps by jumping off a building, (hopefully). Maybe he is going to profess his love in front of all the workers at the Centre, and then Lenina will be really happy, but also embarrassed because an “uncivilized” person likes her.
I loved act one. The awkward humor when Becky and Max first met was great, and the story line really drew me in. The second act completely changed pace and that confused me a lot. Becky, instead of king of light and funny like she was in the first act, became aggressive and crazy. Max just became more of a dick, and the challenges in Susan and Andrews relationship added a lot of craziness to the show.
Appealing to the viewers and sponsors with looks and personality could result in a victory by itself. After all, it is on television, and though the people of Panem are forced to watch it anyway, they still attempt to make it seem like an entertaining show to watch. When Katniss first arrived to the capital, the fashion there seemed quite vibrant and seemed incredibly overdone. The most staggering extreme that seemed to stand out is that the people of Panem took to was dying their skin a certain color. Interestingly, even Katniss who had seen the Hunger Games many times on television seemed to be appalled by the preposterous looks of the Capital's people, with few exceptions.
At the same time to increase, and emphasize the tragic plot. Shakespeare was the first to mix comedy and tragedy together, but borrowed the ideas of tragedy from Aristotle. The two words come from Middle English, also back from Middle French, and originally the Old French used ‘relever’, meaning ‘to relieve.’ Hamlet seems to be the only one of Shakespeare's tragic protagonists who possesses and demonstrates a sense of humour in this play. Like the amusing characters of comedies, he likes to play games with language, to disorient other characters' verbal styles, and he has a taste for puns. In this presentation, I am mainly going to talk about Hamlet taking on the role of a fool towards Polonius, Rosencrantz, Guildenstern, Osric, and the Gravedigger.
Therefore, likening the festival of Twelfth Night to the transformation of the characters and how they are perceived by the audience from beginning to end, which, in his opinion, is employed to fool the audience and make them feel ashamed of themselves, because of the initial appearance of the plot and their ‘reversal’ in their judgment of some of the characters, which may ultimately seem quite “disturbing”. Thus, he states that the audience’s experience of Twelfth Night is mixed. Additionally, he alludes to the fact that this comedy, in particular, unlike most others fails to meet the norms and conventions of the comedy, perhaps with some elements missing. Secondly, he states that the play