Obviously, the conflict between Lysandra and Elaine is shown by Lysandra being so mad she withdraws on her dream to be to herself. Lysandra also shows jealousy towards Elaine. She does this by stealing Elaine’s boyfriend. Elaine explains how Lysandra does this by saying, “As she and Brett moved off into the darkness the looked like one person. That’s how close they were.” (72).
She is completely unable to control her feelings for her only love, “I must love a loathed enemy” [I, v, 139]. The way that Shakespeare uses “must” is very interesting because although the households are enemies she must go against her parents will because she loves Romeo. No longer did her parents support her instead she was rejected. When Juliet rebels against marring Paris, “He shall not make me a joyful bride” [III,v,117]. Lord Capulet becomes enraged of this defiant behaviour, “An you be mine, I’ll give you to my friend / an you be not, hang, beg, starve, die in the streets, / For, by my soul, I’ll ne’er acknowledge thee” [III, v, 192-4].
Insidiously, violently, they have led them to hate women, to be their own enemies, to mobilize their immense strength against themselves, to be the executants of their virile needs. They have made for women an anti-narcissism! A narcissism which loves itself only to be loved for what women haven’t got! They have constructed the infamous logic of anti-love.” I think this paragraph is stating that men have made women despise and doubt themselves when it comes to expressing their knowledge in any form, particularly in literature. And what is a greater crime than making women hate themselves for reasons that they cannot change?
And swear whatever you wish, and then begin all over again?”(Anouilh, 48). The presence of her masculinity implies that only masculine characters can oppose law. Because she is an undesirable female, who doesn’t follow the rules of womanhood, Anouilh resolves the presence of her character through an inevitable death, to emphasize his contempt with such women. Although male, Haemon portrays female characteristics, being over-emotional and rash, thus being incapable of fulfilling the idealistic male role. An
Especially when she reminisces in the final stanza about the time she was young and beautiful, illustrating her complete lack of confidence. Nevertheless, she is still presented as a foul character who threatens the reader, with the line ‘Be terrified’. The poem also ends with the line ‘Look at me now’ which has a double entendre (double meaning). It could be read as a cry of despair or, as a threat – if you did look at Medusa you would die! This leaves the reader feeling conflicting emotions for the character, probably similar to how Medusa herself feels in the poem.
We knew ahead of time that Medea was bound to murder her children, which I thought should build a nice suspense to the play had it not been mentioned. In addition, the Corinth women and Nurse’s verbal argument to change Medea’s decision on killing her children almost seemed pitiful because despite evoking guilt and awareness of her outrageous actions, she proceeded to do it anyway. However the one scene that made it unsatisfying (was the scene after Medea murdered her children. The verbal argument between Jason and Medea almost seemed like child’s play, engaging in bickering on who was to blame like a Jerry Springer/Dr. Phil show.
Lady Macbeth is constantly ridiculing Macbeth because he is too afraid to kill Duncan, and she even tells him that he might as well be a woman. This is ironic because in this quote, Lady Macbeth says “Yet who would have thought the old man to have had so much blood in him?” (5.1.39), which lets the readers know that she feels guilty. This guilt is what would eventually drive her to madness. Mental madness all due to an attempt to gain and maintain power; power both over their own selves and a run for
The above quote is basically saying that women are inferior and should be treated as such. This mind set ruins his relationship with an actress, Sibyl Vane, when he completely shuts her out because she put her Heitzwebel 2 love for him above her love of acting. His rejection leads her to commit suicide, which Henry later says that he envy’s; he wished a woman would be so foolish as to kill herself for love. Undoubtedly, Dorian becomes the embodiment of Lord Henry’s philosophies of the artistic life. As Francois de La Rochefoucauld
They begin to despise each other. Jean makes Miss Julie subdued, uncertain and afraid. She is appalled by the consequences. She's a woman from the upper class who had a sexual relationship with a single servant from the working class. Jean is portrayed as the strong and livsduglige, while Julie is the weak who perished.
The final line “Who could not say, ‘Tis pity she’s a whore?” can be seen as directed towards her and so she is blamed for everything that has occurred. Throughout the play she is seen as quite powerful and headstrong by refusing many marriage proposals and being quite stubborn in doing so. However, she is reduced to a weak being however upon dying which is a culmination of her passions. It is perceived that women are a danger to men and to society as a whole and so Giovanni’s actions are to be blamed not on himself, but on Annabella because of the beauty she possesses. Giovanni states that Annabella’s “lips would tempt a saint” thus showing the corruption her presence inflicts upon even the supposed innocent of men.