In the essay, “The Plastic Pink Flamingo: A Natural History,” Jennifer Price carefully examines how the flamingo went from just animal to a superstar in American culture in the 1950's. Price retells the story of the flamingo's transformation using allusions to connect the animal to the real world, a diction that could be described as sassy, and promoting the irony behind the flamingo. Once America hit the 1950's , the flamingo was a rising star. Price identifies how the flamingo infiltrated the American culture buy referencing the flamingo hotel in Miami Beach and Las Vegas. The allusions showed the fascination with flamingos and how eager they were to make money off of them.
Jennifer Price uses tone, irony, and sarcasm in “The Plastic Pink Flamingo” as her rhetorical devices to reveal her view on not only flamingos, but also culture. She engages her audience and this causes them to continue reading. There are deep issues that Jennifer Price addresses in her essay such as consumerism and the materialistic society. She calls these issues to her audience’s attention by speaking of the less serious plastic, pink flamingos. Price criticizes the United States culture by juxtaposing the seriousness of a nation bouncing back from depression with the quirky nature of the flamingo.
This drink made America part of the super power countries. These are the drinks that helped changed cultures and made an impact. I believe that the author of this book is trying to tell the readers that any little thing can change a whole society. I think this because he uses different drinks to show how they built cultures around the drinks. For example Tom Standage uses wine to show how Rome and Greece make rituals and ceremonies around
According to Cofer, “Mixed cultural signals have perpetuated certain stereotypes—for example, that of the Hispanic woman as the ‘Hot Tamale’ or sexual firebrand. It is a one-dimensional view that the media have found easy to promote. In their special vocabulary, advertisers have designated ‘sizzling’ and smoldering’ as the adjectives of choice for describing now only the foods but also the women of Latin America” (para. 6). Does this assertion—that the
The Ultimate Sex Kitten In her 60′s heydays you would have been hard pressed to find a man who did not consider Brigitte Bardot, or BB, to be the ultimate sex symbol. Serge Gainsbourg wrote songs for her, fashion designers adored her and she was even chosen to be the first face of Marianne, the Liberty symbol of France. She was ahead of her time in many ways and her bohemian looks had a huge influence on the fashion and beauty world. Her signature messy up-do, cat eye make-up and sexy nude pout are still being emulated in photo shoots today. She is also credited for popularizing the Bikini through her movies and for taking the ballet flat from the stage onto the streets.
(responsible for the origin of his nickname Coco). But in order to succeed in life was stronger and, therefore, she decided to go out looking for lovers, preferably wealthy men who could help him. This was the first major clash of Coco Chanel with the macho society of the early twentieth century. Involvement with the official millionaire Etienne Balsan cavalry took her to Paris and entered in the French capital's high society. With the
Marxism identifies the inequality in Porphyria’s Lover through sociological symbols. This is seen in ‘Porphyria's’ bourgeois characterisation through her attire. ‘Withdrew the dripping coat and shawl/and laid her soiled gloves untied...’, adheres ‘Porphyria’ to the description of aristocratic Victorians due to the luxurious imagery. Furthermore, Browning’s archaic sociolect, such as the noun ‘shawl’ instead of scarf, adds elegance to the figure enhancing her high echelon image. ‘Porphyria’s’ middle class characterisation is heightened as she is arriving from a ‘gay feast’; demonstrating a precise impediment within their relationship, as feasts were only approved by lower classes on festival days.
The running theme of the novel is that the prosperity and wealth of the 1920s in the United States decayed the notion of the “American Dream” and replaced its traditional values of the pursuit of happiness and liberty with relaxed social norms and materialism. Therefore, an equally important issue of the novel is the idea of property and what it means to the characters and society as a whole of that time period. To them, property is both concrete and abstract and it ties quite closely with the pursuit of happiness, or rather the shifting of what this pursuit means to people. The importance of property cannot be overstated in The Great Gatsby because it is not only the catalyst for the decline of society of the time period, but also that of the motives and ambitions of most of the main characters. Indeed, it was because of either the want or possession of property for various figures in the novel that really drove the story in terms of their actions and the events that took place between them.
According to Cofer, “Mixed cultural signals have perpetuated certain stereotypes—for example, that of the Hispanic woman as the ‘Hot Tamale’ or sexual firebrand. It is a one-dimensional view that the media have found easy to promote. In their special vocabulary, advertisers have designated ‘sizzling’ and smoldering’ as the adjectives of choice for describing now only the foods but also the women of Latin America” (para. 6). Does
In his era, the social idea of the gulf between the poor and the rich largely influenced him. Hence, he utilized what he perceived into his work and later attained fame and recognitions by the society. Consequently, Dickens’s best-selling novels soon palpably demonstrated the morals of the society. Advice: be more specific with the Dickens example Moreover, Fitzgerald’s novel The Great Gatsby evidently shows that the pop culture, which at the time, valued decadent parties and wild jazz music, represents the morals of the society. Fitzgerald portrayed that during the 1920’s, the vast amount of people valued gaining prestige and social status.