De’Untre’ Griggs Griggs/1 Ms. Allen 9th Quest Lit/6 17 December 2012 Tim Burton Cinematic Techniques Essay (Embedded Assessment 2) Exotic, unique, fantastic, insane, brilliant, visionary, phenomenal, these are all words that come to mind when you see Tim Burton’s films. He has directed many movies like Alice in Wonderland, Corpse Bride, Charlie and the Chocolate Factory, and many other amazing films. In his films he uses cinematic techniques to emphasize and convey emotions & feelings. For instance, Tim Burton in Corpse Bride and Edward Scissor hands uses lighting and sound to establish both dull and exciting moods in both films. Tim Burton uses light in a very special way in both Corpse Bride and Edward Scissor hands.
He always thought of his childhood as normal, because it was what he was used to. Tim’s odd life growing up was the cause for many of the gloomy moods within the movies he has directed. A short film Burton had directed for Disney, “Frankenweenie,” was considered to scary for younger audiences. The style of that film opened doors for Burton’s unique style. Time Burton’s dark, mysterious style allowed him to show his uniqueness by using low key lighting, shot-reverse-shot, and close-ups in the films Big Fish, Corpse Bride, and Edward Scissorhands.
Though the project was fun and the Beatles got to wear funny walrus costumes, it didn’t have the energy that is greatly respected and admired in Sgt. Pepper and most thought it was the first time the Beatles sounded
The costume that he wears and his very gothic looking hairstyle makes him look sinister. Even though Edward is the nicest and the kindest character in the movie he is thought to be a devil by Esmeralda. The same could also be said for Jim, he does not look evil, going out with one of the most innocent people in the movie, Kim, but he is the most evil person. Lastly there are the film techniques that help us or make the viewers determine whether a character is light or dark and good or evil. The lighting, costumes or settings can make ur think about a character differently.
A Beginner’s Guide to Wes Anderson Movies Even if your interests don’t tend toward cinema’s indie side, you probably know Wes Anderson’s name; chalk it up to widespread critical praise, awards season recognition, or clever casting, but since making his 1996 debut with Bottle Rocket, he’s gained increasing visibility among mainstream audiences with each subsequent offering. He’s also been the recipient of in-depth scrutiny, both positive and negative, for his specialized, immediately recognizable, brand of filmmaking. His latest movie, The Grand Budapest Hotel, has opened wide across the US, and reignited conversations about Anderson’s very particular approach to making movies. So, we at Screen Rant saw fit to present a guide to the elements
Then, along came "The Wizard of Oz." Needless to say, audiences were not only stirred by the terrific story, but they were also dazzled by the film's special effects. The special effects are glorious in that old Hollywood way, in which you don't even have to look closely to see where the set ends and the backdrop begins. Almost all films were still being made in black and white, so the switch from black and white to color would have had a special significance in 1939 when the movie was made. "The Wizard of Oz" was a major achievement when you consider that it was filmed nearly three-quarters of a century ago.
Most of the tempos are extremely slow and a mellow romantic tone. There is sound in movies that are not to dramatize the scene but to rather notify the audience that this is an important scene coming up. There are specific elements that should evident, the movement and tone of actors must be believable to convey a story. After viewing trailer, two films come to mind in which the music, narrative, and structure was changed to present two very different themes, one of cheerfulness and the other of horror. The costumes, expressions and music executed, to get the desired end.
Life Sucks Screen play adaptations commonly differ from the book on which they are based. Just like gossip between peers is enhanced for entertainment purposes, films are enhanced for these purposes as well. Between Frankenstein, a novel by Mary Shelley, and the screen play adaptation, Mary Shelley’s Frankenstein, by Kenneth Branagh, there are numerous differences in detail. Nonetheless, there are similarities in the undertone of both mediums that portray mutual morals. However, it would be a blatant falsehood to say that this film adaptation is free from inaccuracy, somehow above reproach, or indeed perfect.
William Shakespeare's "Much Ado About Nothing" and "Taming of the Shrew" are two of his best-known comedic plays. As with most of his comedies, they both feature a wedding, but there are many other similarities in themes and motifs of these plays, as well. The Taming of the Shrew is an early comedy, loosely termed “romantic” along with Much Ado About Nothing and A Midsummer Night's Dream. Such plays are lighthearted and often slapstick in style, filled with disguises and deception, and end happily. This is in sharp contrast to the later comedies that are much darker and filled with cynicism and a sometimes bitter irony.
I am smooshy because I have my kind and caring sides to me. But when time is added to the Gummy Bears the bears start to get hard and boring. Also I have different flavors or personalities; sometimes people do not like my flavors and just do not eat those bears. Also I am pretty darn cute. Another candy would have to be the Willy Wonka's Everlasting Gobstopppers: I have many layers and I take a long to get through.