Just as many other people in the novel, Victor “judges a book by its cover.” He is in a sense evil, heartless and a complete coward. It may be argued he is the real monster in the story, not the creature. Frankenstein and society created a monster due to the mistreatment, bad judgment and the
Victor’s plans for his creation were more than great, but once he had actually created the Monster, all of his past feelings turned into disgust and horror. Frankenstein finds himself "…capable of bestowing animation upon lifeless matter" (Shelley 51) and attempts to put himself on the same level as God by giving life back to the dead. Although Victor thought otherwise, the creature that he thought would bring him fame and do good for society became a murdering monster. "…I thought that if I could bestow animation upon lifeless matter, I might in process of time (although I now found it impossible) renew life where death had apparently devoted the body to corruption." (53)
In Mary Shelley’s Frankenstein, Victor is an odd character in the book. Introduced to us as driven, intelligent men, that educates himself. With his quest to achieve god like abilities, Victor starts acting very selfishly. Which leads to Victor being very corrupted with his appeal to new knowledge that leads him to be corrupted, with the creation he has created. With both Victor and the monster being similar, working in secrecy and animosity are the most present traits displayed in Frankenstein.
Frankenstein Character Analysis Essay Throughout the course of Mary Shelley’s Frankenstein, the personalities of both Victor and the creature change. Victor changes from an innocent child captivated by the phenomena of science into a disillusioned, anguished man determined to end the product of his arrogant scientific endeavor. The creature changes constantly throughout the novel; stuck in the middle between good and evil, he resents Victor and tries to get revenge on him, but he also reveals his sensitivity and benevolence by helping the peasants and by saving the girl from drowning. The creature’s initial gentle and kind nature is blinded by his appearance and he is rewarded only with beatings and disgust. Torn between compassion and vengefulness,
The desire to succeed interferes with being happy. A person can get lost in the process of solving a problem so intently that they forget those around them, to eat and even where they are. In Mary Shelley's horrific Frankenstein an example is the character of Victor, whose unnatural pursuit of knowledge, of discovering how to create the perfect being, is so extreme that he loses himself in his creation. Frankenstein follows the story of the brilliant Victor and his many achievements, which go astray after he brings to life a creature in order to sate his own curiosity about the "mysteries" of life. It becomes difficult to picture Victor as a human being because he attains in-human qualities like the ability to go countless hours without eating
¬¬The blind man states that, “there [was] something in [the creature’s] words which [persuaded him] that [the creature is] sincere” (2.7.91). The power of speech proves to be effective at this moment, as the creature finally is able to override prejudices based on appearance and gain sympathy from the old man. However, without even allowing the creature to explain himself, the DeLaceys force him out of the house and move away for good, leaving the monster in isolation yet again all due to his physical appearance. Similarly, when Victor and his creation first meet, the creature’s logical speech of his misfortunes transforms Victor’s mindset as “for the first time […] [he] felt what the duties of a creator towards his creature were, and that [Frankenstein] ought to render [the creature] happy” (2.2.67). The creature’s impressive talking skills moved Victor’s heart and caused him to reconsider the circumstances.
This causes Victor to go into an extreme depression and eventually causes him to also go after the monster with a vengeance, allowing him to cross paths with Walton. Victor’s selfishness does not cease despite his health degrading in the novel. Instead of turning around, and leaving the situation, Victor is determined to keep going. The reason Victor is the monster is because he has no respect for the monster as a sentient being and only seems to care about himself. He is the prime example of a character that is easy to sympathize with or feel sorry for; however, the monster deserves a lot more sympathy than Victor does.
In both the human and animal eyes Grendel is seen like a monster. In conclusion, Grendel can be seen as a monster and could be a good character, which has been though a lot in his life. With no one to neither talk to nor interact with, this lonesome life is what ignited the fire that made him the way he is. You could say he is a bad character if you see things in your perspective, but did you ever try to see it in his point of view? For example, human killings animals, does that mean we are monster.
In Mary Shelley’s Frankenstein, Victor Frankenstein is first depicted as a hero that turns tragic due to his own detrimental flaws. Victor’s demise began when his mother died while trying to nurture Elizabeth back to health. Due to his need for an escape, Victor turns to his fascination with nature. He feels trapped in his tragic, monotonous life and craves the feeling of living again. Seen first as a genius of science, Victor is loved by others only for him to turn around and become the cause of suffering for nearly every character.
He also creates the unhappiness amongst his replicants, “it created a virus so lethal the subject was dead before it even left the table,” through the flippant tone we see his lack of responsibility, like Frankenstein, he acts more like the monster than his creation. “Also extraordinary things, reveal in your time,” Tyrell’s dismissive tone, gives a similar impression of his lack of morality and care for others. Even when faced with the threat of death, he refuses to increase the happiness of his creation, much like Frankenstein when faced with the proposition of the creature; “I refused, and I did right in