Theme of Picture of Dorian Gray (Reinforced Through Annotation)

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The Picture of Dorian Gray: Theme Dorian Gray’s ideals and character alter throughout Oscar Wilde’s literary work, The Picture of Dorian Gray, as a result of the corruption of the antagonist, Lord Henry Wotton. The “unforeseen death” of Dorian’s supposable love, Sibyl Vane, of which he was indirectly responsible for, causes him to become cognizant that the alluring portrait given to him by his beloved companion, Basil Hallward, has answered his baneful prayer. The painting absorbed all of his sins and wickedness sparing his flawless appearance of all blemishes caused by such demeanor. Dorian’s morals and values are marred by his epiphany of his own pulchritude and its relation to the portrait, also the motif. Like Dorian Gray’s decisions, the foreshadowing, motif, and hubris throughout the novel also reinforce the theme of moral conscience versus vanity. This excerpt of The Picture of Dorian Gray contains foreshadowing that strongly reinforces the theme, moral conscience vs. vanity. At this point, Dorian is befuddled as to the painting’s purpose, “It had taught him to love his own beauty. Would it teach him to loathe his own soul?” The syntax of the foreshadowing is evident of rhetorical questions, which is representative of uncertainty and inner conflict. The diction shows the contrast and battle for priority in Dorian’s stream of consciousness between values and beauty. This can be demonstrated through the words “love,” “beauty,” “loathe,” and “soul.” Moreover, the imagery being utilized in the passage further supports this contrast “The bright dawn flooded the room, and swept the fantastic shadows into dusty corners,” where “bright dawns” and “dusty corners” are on opposite sides of the spectrum. The contradiction of these two forces is just another representation of the incessant clamor of things that don’t harmonize; light and dark, love and loathe,

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