Theme of Identity

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Jason Gorman: Theme of identity The three texts I have studied as part of my comparative are “Translations” written by Brian Friel, “I’m not scared” directed by Gabriele Salvatore and “The Reluctant Fundamentalist” penned by Mohsin Hamid. A key theme evident in all narratives is that of identity. Throughout my explorations of this intriguing universal theme, I’ve gained invaluable insight into the varying aspects of cultural and personal identity. After viewing these texts my opinion of the theme of identity has been cemented. In (Trans) Friel transports us to the world of Ballybeg 1833. This isolated village highlights the way language and cultural identity shape’s one’s personal identity. This quaint setting is on the cusp of irrevocable change as the arrival of the British army, the new national school system and the Anglicization of Irish place names threaten the identity of Ballybeg. A parallel can be drawn can be drawn between (Trans) and (TRF) as a sense of identity and cultural clash is introduced from the start of the narrative. An abundance of references are made between the rivalry of the dual settings, Lahore and New York. This links with (Trans) as the English Irish tensions are seen throughout and in (INS) as the divisions between the affluent north and the rustic south are evident. The tensions and differences solidified my views that the search for one’s true self is central. In (INS) Salvatore expresses how outside influences threaten the distinctive identity of Acqua Traverse. This small rural village is similar to the old-fashioned setting of Ballybeg in (Trans) as strong impacts begin to erode the unique distinctiveness and values of these picturesque villages. In (INS) the clinical views of the north is personified in the dogmatic character of Sergio and his sordid gang. The complete reverse of this is seen in (TRF) as acceptance of the
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