Beatrice asks Benedick to kill Claudio for her. When he asks if Claudio is her enemy she replies “Is he not a approved in the height a villain that hath slandered, scorned, dishonored my kinswomen?” (IV i 315-317). Beatrice feels that by wrongfully dishonoring her cousin, Claudio deserves to die. Everyone, including Hero herself, think that Hero’s life wouldn’t be worth anything without her
Antigone the Tragic Hero In the play “Antigone”, Antigone is the tragic hero because she comes from nobility, suffers from a character flaw and lastly, she has an unhappy ending. Antigone was a very courageous character in this story. She chose her faith over man’s rules because she felt like it was morally correct. Antigone wanted to obey and do right by the gods. Therefore, she went against Creon’s rules (man’s rules) and buried her brother.
Hester’s actions were motivated by two elements, Freedom of her soul, and the right to raise her child. By confessing to the mortal sin, she freed her soul from corruption and suffered the consequences. She was forgiven by God and she acknowledges that by raising her daughter, Pearl, the best way she could. Prynne was shunned by the society but she had won the most precious of gifts, her child. She was imprisoned, yet free at heart.
This is proven when Hester remarks to herself, "Oh Father in heaven - if thou art still my father - what is this being which I have brought into the world" (Hawthorne 89).Thirdly, Pearl represents the sins of both Hester and Dimmesdale. Proven when, Hester realizes what Pearl represents when she does not hold Pearl up in front of the "A”; she carries the child around because it is a direct reflection of her sin. Hester is, "wisely judging that one token of her shame would but poorly serve to hide another" (Hawthorne 48). Pearl in many ways is the scarlet letter. First, the scarlet letter amuses Pearl, and also controls her behavior.
Nathaniel Hawthorne uses symbolism to convey the theme that evil and good are in the eye of the beholder. The scarlet “A” that Hester is condemned to wear is a material brand of her sin. To the eyes of the community and Hester herself, the “A” is a sign of adultery, penance, and penitence. Although Hester sees it as this, she is not ashamed of her brand. This is demonstrated in the text “Those who had before known her, and had expected to behold her dimmed and obscured by a disastrous cloud, were astonished, and even startled, to perceive how her beauty shone out, and made a halo of the misfortune and ignomity in which she was enveloped” (40).
ivil disobedience is the refusal to obey civil laws in an effort to induce change in governmental policy or legislation, characterized by the use of passive resistance or other nonviolent means. The use of nonviolence runs throughout history however the fusion of organized mass struggle and nonviolence is relatively new. The militant campaign for women’s suffrage in Britain included a variety of nonviolent tactics such as boycotts, noncooperation, limited property destruction, civil disobedience, mass marches and demonstrations. The Salvadoran people have used nonviolence as one powerful and necessary element of their struggle. There is rich tradition of nonviolent protest in this country as well, including Harriet Tubman’s Underground Railroad during the civil war and Henry Thoreau’s refusal to pay war taxes.
“… How I wish I might see him and his bride in utter ruin, house and all, for the wrongs they dare inflict on me who never did them harm!” (55) Medea resolves to avenge her self and make her husband Jason suffer more then she has in order to punish him. While Medea speaks to the Chorus of the role of women in their society and their great disadvantages she is seen as a heroine willing to avenge the wrongs done to women, which is a rarity during the given time period “Of all creatures that have life and reason we women are the most miserable of specimens! In the first place, at great expense we must buy a husband, taking a master to play the tyrant with our bodies…” (56) Medea is undoubtedly a feminist which emphasizes her strong and independent character. Her tendency to violence and ruthlessness however is evident at the start of the play when the nurse is prompted to predict that Medea may do harm to Jason’s new bride out of jealousy and harm her children because they remind her of Jason “I’ve already seen her glaring at them like a bull, as if she wanted to do something awful. I’m sure of one thing, that anger of hers won’t die down until someone’s felt the force of her thunderbolt.
Given the fluid and dynamic nature of the war on terror as it has been presented, the United States has not been able to pursue one particular defense policy. The policy of defending the world against terror is very sweeping and commits the United States in many areas of the world. At one point, focus was on Iraq, as a haven for terrorists who were supposedly promulgating the war from Baghdad. This allowed obliviousness to fomenting in Afghanistan, which now might be where our focus is on at this time. The reality is that both defense and foreign policy have had to be malleable and somewhat pliable because the justification for the war ended up constricting the hopes of definite and static foreign policy.
When Creon learns that Antigone has buried her brother, he becomes furious and sentences Antigone to death despite his son’s and Antigone’s fiancé pleading, as well as a warning from the prophet. But as the prophet for-told, the gods are on Antigone’s side and for Creon’s crime he loses his only son, Haemon and his wife. The begging of the play, Antigone has her sister, Isemen outside the city gates. Antigone is trying to get Ismene to help her bury their brother, Polyncies. But Ismene refuses to help her sister, fearing the death penalty installed by Creon.
The betrayal of Polynieces causes his sister, Antigone, to start another long line of betrayal throughout the rest of the play. Antigone begins planning her betrayal against Creon and her justice against her brother when she goes to her sister, Ismene, for help. “You must decide whether you will help me or not.” (Line 30, Pg 774). Ismene is a coward and claims she cannot help Antigone, “But I have no strength to break laws that were made for the public good.” (Line 66, Pg 774). The fact that Antigone is now alone is this process does not slow her down at all; not even after Ismene warns her that the consequence of her actions could be death.