The Yellow Wallpaper And How It Demonstrates The

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Throughout Charlotte Perkins Gilman’s short story, The Yellow Wallpaper, Jane, the main character, is an example of how a patriarchal world affects women, and how the effects are unhealthy. From the beginning of the story, it is evident that Jane is sick, both from her depression and her imprisonment in the mansion. Jane’s mental state is illustrated through the descriptions of the yellow wallpaper. As her conditions grow worse, so does the intensity of the descriptions. John, Jane’s husband and doctor, enforces the patriarchal idea on his suffering wife, and unknowingly causes to her go mad. The Yellow Wallpaper portrays the views of women in the 19th century, and some of these views are prevalent today. The story is focused on the narrator, assumed to be Jane, and her mental illness. At first, her struggle is with her husband and doctor, John, but as her mental instability worsens, her struggle becomes more and more with the wallpaper, a reflection of herself. To help her cope, John locks her away in a room upstairs, where the yellow wallpaper is. As the story progresses towards the climax, the details of the yellow wallpaper increase, and Jane becomes obsessed with it. The very end of the story, the climax, is when it is revealed that Jane has gone completely insane, and rips off the yellow wallpaper, freeing her from her own prison. The setting of the story is in a mansion John has rented for the summer to help Jane get rest and feel better. Jane goes into great detail describing her home, saying it is surrounded by a “delicious garden” and has a lovely shaded winding road” leading up to the mansion. John places Jane in a room upstairs, which is called a “nursery”, but based on the room’s features, it once held former mentally unstable patients. There are “barred windows” and “great immovable bed” which “is nailed down.” These features of the room illustrate
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