The Year Of Magical Thinking

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In his acceptance speech of the Nobel Prize, William Faulkner asserts that it’s the writer’s duty to remind people of the of human soul, “a spirit capable of compassion and sacrifice and endurance.” Joan Didion, in her novel The Year of Magical Thinking, epitomizes this spirit of endurance as she recounts the year following the death of her husband, writer John Dunne, who suffered a massive heart attack as a result of a prolonged disease. John’s death marked the end of the couple’s forty-year marriage, spurring Didion into a state of what she calls “magical thinking.” In this state, Didion convinces herself that her perpetual yearning for John might have the power to bring him back, refusing to give away his clothes and shoes under the belief he will need them upon his return. She also becomes obsessed with the chronological events leading up to John’s death, believing there must have been some portent she missed. By the end of the book, however, Didion is able to recognize that this “magical thinking” was her method to keep John’s memory alive, and no matter what she did or could have done, his death was inevitable. In choosing to recognize and then reject her false, but comforting, reality, Didion creates “out of the materials of the human spirit” a moving portrait of the human soul as it struggles to accept loss and grief. Didion explains to the reader that her memoir is an effort to describe the events leading to the death of her husband and, ultimately, the death of her self—her identity, her reality, and her worldview. Ever since she was a child, Didion used writing to create a meaningful universe through “the rhythm of words and sentences and paragraphs” (7). Writing enables Didion to make sense of her year of “magical thinking,” in which she obsessed about the chronology of time, trying to convince herself that John might still come home if she

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