“the Violence in Macbeth Is so Excessive That It Ceases to Have Any Effect on the Audience”. to What Extent Do You Think That the Violence in the Play Is Excessive?

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One could argue that “Macbeth” is Shakespeare’s most excessively violent and horrific play as it is “more imaginative, subtle and complex than any other plays” (Spurgeon), validated by the fact that there are over one hundred references to “blood” throughout. Additionally, the protagonist is tarnished as a “butcher” by Malcolm due to his savagery and violence exhibited throughout the course of the play, ultimately inflicting fear onto the audience- both contemporary and modern. Technically, “Macbeth” is regarded as a pre-gothic text as it was published before the term “gothic” was first used. However, Shakespeare has incorporated many gothic elements throughout to inflict the same effect on the audience as what a pure gothic text would, like Dracula. Shakespeare initially exposes the audience to violence in the opening Act, as the “weird sisters” inform us about the existing conflict between England and Scotland. One could argue that the violence is excessive here as a sense of fear is established as the witches insinuate that it is not safe to “meet again” until the “hurly burly’s done”, revealing that even the supernatural “instruments of darkness” are frightened by the conflict. This violent setting is enhanced through the description of Macbeth unseaming a man “from the nave to the chops” in battle. It is ironic however, as the King praises Macbeth for his savage actions, and knights him “Thane of Cawdor”, revealing how only because the gothic protagonist is slaying under the King’s order, he is perceived as heroic. This is a different type of violence to the sort we are exposed to later on in the play, as this violence is legitimized as Macbeth is fighting as part of the king’s army, ultimately maintaining order within society as he is not in attempt to break The Great Chain of Being. The use of excessive violence is evident when Macbeth completes the

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