The Subjective Nature Of The Cathartic Effect Of S

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The Subjective Nature of the Cathartic Effect of Short Stories Short stories have a climactic rise that leaves the reader with a need for resolution in the pit of their stomach. In a good short story, this resolution comes at the end and leaves the reader with a personal feeling of catharsis. However, the cathartic effect is very subjective in nature and is based on each person’s personality and experiences. A story can leave the reader with many varied strong feelings such as pity, resentment, euphoria, or compassion. The subjectivity of the cathartic effect on the audience after reading a short story can be shown by studying three stories: Cathedral by Raymond Carver, A Very Old Man with Enormous Wings by Gabriel Garcia Marquez, and Revelation by Flannery O’Connor. At the end of Raymond Carver’s story Cathedral the narrator learned that he could draw and see a cathedral better with his eyes closed. A reader who normally focuses on the physical experiences of life would really open up to the spiritual awakening the narrator had upon drawing the cathedral with the blind man, while not even noticing the relationship issues brought out in this story. Whereas someone who is in an unhappy relationship could see hope in the fact that the husband learned through his experience how to express himself without words and how to connect to someone else on a deeper level. They would draw from the story the fact that the married couple may be able to connect better now that the husband’s eyes have been opened. While a different reader perhaps feeling stuck in their own life would focus on the narrator’s realization that being able to physically see is actually limiting his experience of true vision thus giving him a new perspective on life. In A Very Old Man with Enormous Wings by Gabriel Garcia Marquez the story ends with Elisenda feeling relief watching the old man with
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