Beatrice is cynical and witty; she doesn’t conform when it comes to the role of women in Elizabethan time. In terms of how males view females, there is a theme of cuckoldry (men who married unfaithful wives). This is shown in the first scene when Leonato confirms that Hero is his daughter, ‘Her mother hath many times told me so’, a joke at her expense, implying she is unfaithful to him. In a conversation between Claudio and Benedick, they talk about Hero. Claudio asks if he ‘noted’ her, Benedick tells him he did not, but he ‘looked on her’.
Two other females that had nicknames are known as a sexual need in the film because McMurphy invited them over to seduce the guard and Billy. First, women are inferior to men because they were never given a position of power. During the 1960s, woman did not have any experience with power because they still lived in a society where men are taking control. In quote, “These gender roles have been used very successfully to justify inequities, which still occur today, such as excluding women from equal access to leadership and decision – making positions” (Tyson, page 85). Males still see females as patriarchal women, not as leaders or decision makers.
‘Men were deceivers ever.’ To what extent can it be argued that Shakespeare’s presentation of men’s attitudes to women in ‘Much Ado about Nothing’ allows for comedy? In Much Ado about Nothing, it can be equally argued that men’s attitudes towards women are actually used for comedy purposes, and it can be argued that their attitudes aren’t. For this argument, the relationship between Beatrice and Benedick at the start of the play can be seen as comical to the audience, as they both claim to dislike each other and take pleasure in making rude remarks to one another. On the other hand, the relationship between Hero and Claudio could be seen as quite dark to the audience, as there are accusations and trust issues between the two. The quote ‘men were deceivers ever’ comes from Act 2 Scene 3 of the play, from the song that Balthasar sings.
Much of this post-war era literature does not present romanticized stories of true love, as many people avoid the allegiance and commitment of relationships by which true love is characterized. On the contrary, it is commonly seen that characters attempt to pursue happiness and eliminate void by fulfilling their needs through meaningless sexual relations due to a lack of meaning in life, just as Lady Brett Ashley did in The Sun Also Rises by Ernest Hemingway. Lady Brett Ashley “must be the controlling individual in any relationship, the imperial force, and she can only be that while men are under the sway of her sexuality. When they seek equality in the relationship, or dominance, when they want to call the shots, she ends the relationship, giving up her conquered territory and moving on” (Hays 241). Despite the negative connotations often associated Brett, she is quite complex as this “bitch goddess,” as labeled by Mimi Gladstein, is an “intriguing mix of femininity and masculinity, strength and vulnerability, morality and dissolution.
In the times John Steinbeck lived in women were not held in high regard but they were just present to serve men. However, they still tried to yearn for a better future by exploiting men. The character Curley's wife in the novel is a victim of society and her dream. She is married to Curley who neglects her and so because of her loneliness she is always seeking attention. She wears too much makeup and dresses like a "whore"
Questia states, “Despite their vital role in Ancient Greek and Roman society, women were not considered full citizens and in most instances required a guardian – their fathers, and later husbands – to represent them” (“Women in Ancient Greece and Rome”). As his poem progresses, Homer presents female characters in different aspects, demonstrating that women should not be confined to the standard they were held in that society. At the beginning of the book, women are first introduced as being loyal, faithful, and under complete servitude to men. This presentation of women demonstrates the view of women at that time. This is evident in the treatment and actions of Penelope and Calypso.
An Under famed Rhetorician Rhetoric has been through many stages, from early Greek origins to modern day theory. It has shaped societies and has transformed civilizations round the globe. Due process states that we must accredit those who have contributed to rhetoric along the way. An area of rhetoric I feel that has not been explored enough is the contribution that women have added throughout time; particularly the renaissance period. Due to the limited amount of resources and the restrictions laid upon women for practicing rhetoric, it is astonishing how many women were still able to make a significant impact on the field of rhetoric which I feel has paved the way for women’s liberations rights today.
It is known that homosexuality has caused the casting couch to take on a bad reputation. The whole concept of the casting couch was avowed into secrecy. No person in the theater business was allowed, nor did they want to express their sexual actions with others outside of the theater world. When a man and a woman would engage in sexual acts, it began a “business relationship between the man and the woman. But we all know that the relationship wasn’t a real and sincere relationship.
Ophelia’s didn’t have honor for herself because she didn’t do what she wanted she did what others said so in a way she didn’t really respect herself. Ophelia also let Hamlet treat her any way that he wanted to and she never bothered to tell him what she didn’t like. Ophelia was also having sexual intercourse with Hamlet before they were married, this was a big thing back then to wait till marriage, Ophelia didn’t have much honor in herself because she let herself be controlled by men. As a parting shot, he points out that even if Ophelia is a regular girl, marriage would still be awful. Actually, he says, if she has to marry, Ophelia should marry a fool, as wise men know that women only make men into "monsters", even while knowing this Ophelia kept on loving Hamlet even though Hamlet would not respect her.
143-137) This quote reflects the argument because it is evident that men in the Elizabethan era had a patriarchal attitude which caused them to treat women with no respect. Hamlet was able to insult Ophelia with such harsh language without expecting any consequences for his foul behaviour. Women were seen as sexual tools or a voiceless body, never a