The Rime of the Ancient Mariner as a Ballad

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No ballad is so fun to read than Coleridge's masterpiece, The rime of the Ancient Mariner. Lowell, a renowned critic, Says ,"Coleridge has taken the old ballad measure and given to it, by an indefinable charm wholly his own, all the sweetness, all the melody and compass of a symphony and how picturesque it is in the proper sense of the word. I know nothing like it. There is not a description in it. It is all pictures." Although it has been suggested that The Ancient Mariner may profitably be read as a miniature epic or even a dramatic monologue, there is no doubt that Coleridge's poem is, first and foremost, a ballad. It is, as W.P. Ker said long ago, "the most notable modern result of Percy's Reliques of Ancient English Poetry". The success of Bishop Thomas Percy's Reliques, a collection of ballads, sonnets, historical songs and metrical romances, was truly astounding. Based on a seventeenth-century manuscript (now known as the "Percy Folio"), the Reliques, first published in 1765, and revised and augmented in three subsequent editions before the end of the century (1767, 1775, 1794), was largely responsible for the eighteenth- and nineteenth-century revival of interest in older English and Scottish poetry. The highly charged dramatic simplicity and the "romantic" flavour of such poems as The Ancient Ballad of Chevy Chase fired the imaginations of generations of poets, from Chatterton and Shenstone to D.G. Rossetti, Swinburne, and beyond. During the Romantic period the "popular" or "traditional" ballad (as distinct from the "broadside" ballad favoured by Wordsworth in the Lyrical Ballads) was very much in vogue -- witness Sir Walter Scott's many imitations of the genre -- and occasionally, as in The Ancient Mariner and Keats's La Belle Dame Sans Merci, the traditional ballad-form is utterly transformed by the intensely individual melody of true genius.

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