The Representation of Post-War Society in Look Back in Anger

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The years after WWII had ended brought about an era of complacency in Britain and meant the end of rationing and restrictions, due to the introduction of the Beveridge Report in 1941, created by William Beveridge. The “Five Giant Evils” discussed in this report were: want, idleness, squalor, disease and ignorance, which Beveridge aimed to eradicate. The document served as the heart of Britain until it was eventually abandoned in the 1980s, by Prime Minister Margaret Thatcher, in favour of individuals and families. A group of working or middle-class individuals, known as the Angry Young Men fought against this attitude of consensus in post-war Britain. One such individual was named John Osborne, who penned Look Back in Anger in 1956. The opening scene uses stereotypical gender references to define the characters. Jimmy is smoking a pipe and reading a paper while Alison is ironing. These represent the way in which both of the characters have attempted to fit into societal roles and expectations that have both made them miserable and angry. “[Alison] is turned in a different key, a key of well-bred malaise that is often drowned in the robust orchestration of the other two.” By using the word ‘malaise’, Osborne suggests that Alison’s life did not turn out the way she had hoped. The setting of the play is symbolic of 1950s domesticity. The apartment is filled with worn-out furniture, old newspapers and old clothing, which are representative of the characters and their lifestyles. Like these items, Jimmy, Alison and Cliff have been put away and separated from the upper class society of Britain. The mood of the apartment is very monotonous and Jimmy adds to this by highlighting their repetitious lifestyles. “Why do I do this every Sunday?” The rhetorical question not only emphasises their weekly routines, but also has connotations of religion. Jimmy’s
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