It is almost natural for human beings to care about the way others look at them and to fear the judgments that are place upon them. This fear is a large contributor to the motivations that certain individuals have, consequently affecting their actions. In Hamlet, The Great Gatsby and The Kite Runner, the protagonists Hamlet, Jay Gatsby and Amir are all longing for the love of another, fearing that that individual will judge them for their flaws and mistakes. Both Hamlet and Amir’s main motives result from love of their fathers; Hamlet devotes his life to avenging his father and Amir will do anything to receive his father’s attention and love. Jay Gatsby is also motivated by love, however it is by the love he has for the beautiful Daisy Buchanan.
Nick runs away from his experience in the East in much the same way that he has run away from that "tangle back home" to whom he writes letters and signs "with love", but clearly doesn't genuinely offer. The only genuine affection in the novel is shown by Nick towards Gatsby. He admires Gatsby's optimism creating a biased opinion towards others because of that. Nick is "in love" with Gatsby's capacity to dream and ability to live as if the dream were to come true, and it is this that covers his judgment of Gatsby and
Although his actions are very insane, they can be seen as rational to reader considering hedonism. Devotion to pleasure, hedonism, makes Dorian be deceitful about his true self by deflecting the attention of the public from the mad man to the beautiful and intelligent gentlemen. Dorian is, young, sensitive, and emotional, meaning that he is susceptible to manipulation. Lord Henry takes advantage of that opportunity and gives Dorian the yellow book; this book opens up the world of hedonism and aestheticism which eventually turns his young life into an eternal oblivion of misery. Dorian develops a fear of aging so he tries to live his life as if it was his last day on earth.
Nicholas Bostic Ms. Frankie Goss English 102 September 19, 2010 Applying a Critic’s Opinion In the Poem “The World Is Too Much with Us” by William Wordsworth we are presented with the idea that the world is too tied up in the materialism of the Industrial Revolution and are failing to admire the beauty of nature. It is the opinion of the critic MH Abrams that Wordsworth’s poetry comes in two different forms one is positive “light… simple [and]… Forthright” and depicts ideas of “Life, love and joy” (Abrams). While the other style is “darkness” and depicts things that are “complex [And] problematic” and leaves you with a feeling of “despair of life” (Abrams). It is my belief that this poem fits the category of the latter. It is dark and presents us with a problem; we are left with a feeling of despair for the world.
He only sees what he wants to see when it comes to the past and ignores what he dislikes. Much like Miniver Cheevy who while dreaming about the past forgets about all the terrible things linked to it like; starvation, plagues, barbaric invasions, and ignorance. Both Gatsby and Miniver love the idea of the days of old and over romanticize them. Yet, the similarities between characters stop there because while Miniver only wallows in self-pity Gatsby takes it upon himself to change his fate. The name 'Miniver Cheevy' can be interpreted as standing for 'minimal achiever'.
Larkin’s focus on a sense of isolation and remoteness is ironically established though the continued travelling through the landscape, this is highlighted through the repetition of “swerving” conflated with the enjambment that ensures his sense of movement. Nick and Meryl similarly feel as though they are disconnected yet still moving, their day to day life is a repetition of the previous day yet they desire to have connection and find it difficult to achieve this, evident when Nick indicates that he cannot commit to a relationship, Meryl cries “ So what if I wanted you to like me! Is that such a crime?” And it is in the tone of depression and anguish that reveals her isolation. The persona in ‘Here’ criticizes the nature of urbanisation, revealed through the cumulation of “Cheap suits, red kitchen-ware, sharp shoes, iced lollies, electric mixer, toasters washers, driers –” then clearly shows that he is disconnected from the town, there is no sense of community in such a large town where “ a cut price crowd, urban yet simple” reside. The isolation is further explored where derogatory tone shows the sense of alienation, away from the main town that he gets the person begins to see “ its mortgaged, half built edges Fast shadowed wheat fields, running high as hedges, Isolate villages, where removed lives Loneliness Clarifies ” Larkin’s use of pun on “ where removed lives Loneliness clarifies” taps into the postmodern context, there is ambiguity in this and can be interpreted in different however in context it shows that as the villages are isolated from the other towns, so are the people who live in the village, once again there being no sense
Apparently Catherine and Rodolpho have been out quite a bit lately, seeing the beautiful sights of their lovely little slum, Red Hook. Beatrice fails miserably at calming Eddie down about the situation. Eddie goes on and on about how unmanly Rodolpho is. Apparently, men who sing and have blond hair just "ain't right" in Eddie's book. The main conflict becomes pretty clear when Eddie swears to put an end to the budding romance.
You hear it forever. Sound all around. How awful. Uniform, white” (198), therefore expressing death as a white noise. The novel portrays the postmodern world as a series of simulations: nothing is real.
In the first stanza the persona is “haunted” by the postcard sent to him. The negative connotation suggests that the persona has encountered an uncomfortable experience and disturbs him, and he in unable to get rid of his past. His culture will always be waiting for him to establish a connection with it. The negative connotation of “haunt” is ironic because something so small and unsubstantial has a great impact on the persona. The postcard becomes a symbol of how distant his identity is from his culture.
To a person living in a world completely devoid of religion, hope, and ultimately happiness, the only feelings left to him or her are despair, depression, and loneliness. In his 1925 poem “The Hollow Men”, T.S. Eliot uses literary devices such as allusion, setting, and symbol to produce this both awe-inducing and tragic image of these hopelessly lost souls so desperate for their visions—illusions, really—of dreams and a meaning behind their existence. This theme of hopelessness is conveyed through the above literary elements working in unison to display the completely dismal and hopeless world, which is the setting of the poem. The first poetic element Eliot introduces to create his image of hopelessness is allusion.