“Not a day since then I haven’t whished him dead”-Havisham This is very effective as the aggressive tone shows “Havisham” has been rejected and her love is causing her pain. Similarly in “Valentine” “Carol Ann Duffy” uses a very forceful tone with words like “here” and “take it” which tells us her lover is not being very co-operative and like “Havisham” suggests a degree of pain within there love. The theme of love is taken to a deeper level by “Carol Ann Duffy” when she shows through literary techniques that the pain of love can be dangerous. The theme of love is contrasted by violent metaphors in both poems. “Ropes on the back of my hands I could strangle with”-Havisham This is another example of the pain of love and it is particularly effective as it shows the extreme physical tension within “Havisham” and describes the pain of love as a driving force of murder.
The seriousness of their love results from the lovers’ disrepudance (?) of artificial language of ‘love’ and superficial code they had tired by at the beginning of the play. This is seen through the development of language form beginning with rhyme (Levin- “Comedy set the pattern of courtship embodied in dance (rhyme)) heavily used in the first act to its replacement of Blank verse which representative of a for more logical and realistic tone. This also reflects a common Shakespearean comment on Appearance versus Reality which is often a deeper theme discussed in tragedy. Tragedy is said to be further represented in Shakespeare’s use of opposites or antithesis.
Some of the poems in the final third of Edmund SpenserAmoretti sonnet sequence display this feature. Some poems by the same author are paired, allowing one character to make a statement in one poem and then allowing another character to reply in an accompanying work. For example, in the poem "Wrapt in my careless cloak," by Henry Howard, Earl of Surrey, a dsigruntled man complains about the behavior of women, while in an accompanying poem titled "Girt in my guiltless gown," a woman replies to the man's charges. Of course, another way in which lyric poems can be performative is that they almost demand to be read aloud if one hopes to appreciate all their subtleties of sound and sense. This is less true of novels, and reading an entire novel out loud is therefore not something that most people do (at least not any
However there is a change in tone of the final stanza. Courtly love is a central motif in “Les Grands Seigneurs”, evoking knights, castles, damsels and troubadours. However, courtly love is ultimately acknowledged as only “play”, which has to give way to the serious reality of marriage. There is an ironic tone to the poem, and a hint of black humour. This is a light hearted view of the gap between what we expect of relationships, and what we actually get.
Firstly, Donne's poetry is highly distinctive and individual, adopting a multitude of images. The poem offers elaborate parallels between apparently dissimilar things, “Then as th’ earth’s inward narrow crooked lanes, Do purge sea water’s fretful salt away,” (Donne, Lines 6-7) Donne's poem expresses a wide variety of emotions and attitudes, as if Donne himself were trying to define his experience of love through his poetry. Although, “The Triple Fool” gives a limited view of Donne’s attitude towards love, Donne treats the poem as a part of experience, giving insight into the complex range of experiences concerning love and grief, “I thought, if I could draw my pains through rhyme's vexation, I should them allay.” (Donne, Lines 8-9) Overall, the imagery in “The Triple Fool,” contributes to Donne’s sorrowful diction of love and grief. Moreover, Donne explains that poetry is for love and grief, and not for pleasing things, but songs make love and grief even worse. The first verse of the poem states that he is two times a fool, a fool for loving, and a fool for admitting it, “I am two fools, I know, for loving, and for saying so in whining poetry.” (Donne, Lines 1-3) Donne follows to say that he would still not be wise, even if “she” (Donne, Line 5) returned his love.
It is these women who Goodlad asserts Don holds in high regard even though misogynistic undertones are prevalent in the office and the era. Next she introduces a collection of poems, Meditations in an Emergency by Frank O’hara, a major plot point in the third season that conveys Don’s existential crisis and shows him longing for a life that never could have been. The essay then culminates with her discussing that the reason audiences love Mad Men is because it is a vast piece of dramatic irony that causes self introspection into ones own life. Just
The poem’s theme appears to be about unrequited love and a man wooing his “coy mistress” to sleep with him, but this poem does has a deeper meaning, which is really impressive and therefore is striking. The theme of mortality is highlighted in this poem through word choice and by using imagery which reinforces the idea of death. Words relating to death such as “ ashes” and “grave” are used to emphasise the lack of time that we have and the stark contrast between the slow, idyllic first stanza and the sped up, heavier second stanza shows the difference between the idealistic eternity and the reality that we are all mortal and have to die at some point. Another deeper theme introduced is the idea of “carpe diem” which is shown through the lustier language in the poem, word choice such as “time devour”, and also through the quickened pace of the second stanza. The speaker is not simply asking the “coy mistress” to sleep with him, what he is saying is if there was all the time in the world then life would be ideal but there is not so they have to live for the moment.
A. Rose Miller Period 5 11/21/2012 Lady’s Dressing Room Essay “A Lady’s Dressing Room” and Montagu’s Response The poem, “A Lady’s Dressing Room” is of a crude sort of off-color humor. I find it repulsive, in-your-face, and indecent. Lady Mary Wortley Montagu’s response was certainly understandable. The many insults she wrote toward men were justified considering what Jonathan Swift had wrote about women.
“My Last Duchess" and "To His Coy Mistress" shows the act of the men in these two poems. Both the characters in these two poems have a certain attitude towards women, which is that they both see women as objects but in different ways. Also they both can hurt anyone for their profit. Both the speakers of “My Last Duchess” and “To His Coy Mistress” use poetry to create an argument. The Duke in "My Last Duchess" is an arrogant, disrespectful man, who cares more about status and wealth than love.
Machado way of expressing his ironical approach to writing gives the women characters a dilemma attitude especially when he infers that the best way to define love in the world is not worth one kiss from the girl you love(pg 60). Allende on the other hand foreshadows much of the sensuality of the stories in the Prologue, as the Carle and Luna rest after love making, and in the painting that is their images, their skin gleaming moistly and lying in intimate complicity. Onetti portrays love and women as geared by unreasoned sexual desires and so women presents a distorted image of men, but Allende depicts women as the main cause of suffering irresponsible men inflict left to rear the children in