The Metamorphosis Analysis

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The Metamorphosis Analysis The Metamorphosis by Franz Kafka is an interesting work of literature, a book that has been endlessly dissected, over-analyzed, and underappreciated in my opinion as a fantastic novella. The beginning of this dark, twisted book starts with our protagonist Gregor Samsa who awakens at the climax of our story where he finds himself changed into a “monstrous vermin”, as Kafka vaguely writes and never gives a precise description of the transformation itself (specifically notifying his publisher to not try depicting Gregor on the cover), and never explains to the reader where the possible source of this mysterious change could have originated. It is easy to say that Gregor never anticipated this change but his first thought was the question of how would he continue his daily duties as a traveling salesman instead of questioning the change itself. Gregor seemingly accepts that a change has occurred and that it is irreversible and mandatory, perhaps realizing of an extreme forced awareness of whom he really is, and that his life is now changed forever. The reaction, or the lack of, with Gregors family members to his “ailment” leaves room for the reader to look at his transformation as potentially metaphorical. Almost every character refers to Gregors metamorphosis in an illogical manner, being horrified by his change but soon welcome him as if he suffered a sort of paralysis and houses and feeds him without considering the idea that it may not be Gregor. The normality carried out by the characters throughout this story is in my opinion the darker aspect of this story. As the story progresses from Gregor is immediately faced with the conflict of a human mind and his physical limitations as an insect, from enjoying the sound of his sister’s peaceful violin playing and the different foods humans normally crave to climbing walls and taking
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