The Making of a “Good Fence” in Robert Frost’s “Mending Wall”

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It has been said that we often fail to recognize the significant moments in our lives while they are happening to us. We overlook these moments, dismissing them as simple events or rituals, only to discover their true worth after they have passed. In Robert Frost's "Mending Wall" the poet combines the literal with the metaphorical in order to present two contrasting views on the presence of a wall. Although one might say that the narrator understands, by the end of the poem, the necessity of this wall as it provides security and protection, it makes for "good neighbors", Frost is actually alluding to the idea that it is not the fence itself, but rather the ritual of mending this face that makes for “good neighbors.” Frost carefully crafts the form of the poem into a visible representation of his central theme. Written in blank verse, the poem flows from start to finish in a story unbroken by stanzas or rhyme. The poem as a whole, however, still instills a fragmented image upon its readers as the jarred lines create a physical image of a wall turned on its side, the uneven lengths of the lines depicting the evident gaps in the neighbors’ stone fence. In line nine Frost writes, “The gaps I mean,/But at spring mending-time we find them there.” These gaps in the wall are discreet in their formation. Neither neighbor seems to notice them while they happen, yet upon closer inspection they are always there; the gaps in the poem are not as easily identifiable as a break betweens stanzas, however when looking at the overall picture, these fragments in the lines emerge as these symbolic “gaps,” these imperfections in the wall that can never be mended. These gaps in the wall, however, exist so that other things, friendships, may come together. Written in iambic pentameter, this poem takes on a light, story-telling feel, bringing a playful outlook upon this mending ritual.

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