The Madonna of Excelsior

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The Madonna of Excelsior This is a story about a black women named Niki and her ‘coloured’ blue eyed daughter, Popi and theirs lives through apartheid South Africa and through to 1994 where apartheid ended. This book focuses on colour; the colours describing the pictures of Father Frans Claerhout’s paintings but more so about black and white communities in South Africa. Zakes Mda uses satire to criticise and highlight the abuse suffered by black communities under white leadership and uses the Immorality Act as a main point of focus which through the eyes of Niki and Popi allows him to comment on other areas within the black and white communities in Excelsior. In the first chapter we are introduced to Niki and we learn that her daughter, Popi is different. The narrator says”She knew that the priest must have been wondering why Popi was so different from other children. Why she was so light in complexion. Why her eyes were blue, and why she had flowing locks.” (Mda 2002:3). And this is thus the first instance where race comes in to question. The narrator then goes on to imply that there is a story around it and it is this story around which, Zakes Mda begins to mock or criticise Apartheid South Africa. The following chapter (The Garden Party) highlights that in this time, the white community was rich and the black people were poor as Niki and Popi are sitting and begging outside the gate of a rich white person’s house. Ironically the guests at this party are the same men who were accused of having sex with the black women of the town. It is in this chapter that we have our initial opinion of the white characters. They are rich, they are Afrikaans and they are racist. Although the images are very stereotypical, it almost means that without too much explanation we already know who or more specifically what kind of people they are. They walk
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