The Longest Memory

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Post-colonial Writing Essay Homi K. Bhabha defines hybridity as “what is new, neither one nor the other”. He goes onto suggest that a new hybrid identity emerges from a ‘third space’, like literature for example. Literature has long been a site where identity has been explored and views expressed, and post-colonial literature is no different. Writers from previously colonized countries use literature as a method of ‘writing back’ against colonial control and its official recorded history and values. Post-colonial literature often portrays a fractured sense of identity, which highlights how formerly colonized subjects deal with the breakdown of their own cultural traditions and the forced assimilation into the colonizers culture. Often this growing literary form deals with independence and the subsequent problem of identity that this brings. John Mcleod describes hybridity from a post-colonial perspective as: “migrants and colonized subjects living between different nations, feeling neither here nor there... All views of the world are never totalising, whole or pure but incomplete muddled and hybrid.” In this essay I will be looking at Titsi Dangarembga’s Nervous Conditions and Fred D’aguiar’s The Longest Memory. . I will consider how cultural imperialism leads to a sense of fractured identity and sense of anxiety in Nervous Conditions and how D’aguiar uses and subverts the English canon in order to show the situation of the slave torn between obedience to survive and freedom and a sense of identity. I will also consider how D’aguiar explores the anxiety surrounding mixed race relationships and how this creates a new sense of hybridity. In my argument I will consider Homi K. Bhabha’s theory on how a hybrid space is created and how this is reflected by both authors. These texts have very obvious differences, for example Nervous Conditions is written by Zimbabwean
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