The Human Figure in Western Art

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The Human Figure in Western Art

"Humans are the measure of all things" -Protagoras. The Prehistoric Venus Of Willendorf (c.24,000-22,000 BC) is a form of a women that represents fertility. Michelangelo's depiction of David (1501-1504), "is the projection of the ideal" according to art historian, Lee Sandstead. Beginning with the Paleolithic age, all throughout history, the human body has been represented in various forms by a plentitude of depictions and still continues today. "Most significantly, Western art has long sought the perfect method of representing the human body…" (Rolling 331). Author J.H. Rolling explains that the way we create the human figure is based on our perception. Our perception is an extension of how we see things from social contexts such as personal, social, and cultural identities. According to Rolling, in art, the human figure symbolizes an understanding of who we think we are and where we stand in society. Rolling adds a quote from art historian, Nicholas Mirzoeff "Art History is predicted partly on the assumption that each perfectly expressive form-in this case- the human figure--acts as a signifier exactly expressing its signified, without excess or the need for explanation and with complete aesthetic realization" (331). The human figure is a means of recreating humanity during that era based on the artist's thoughts. (Kleiner and Christin J. Mamiya, 106.)

Author J.H. Rolling mention's that the human figure has been a principal subject in western art for many decades (331). This is because a way you can portray the human body is viewed as embodied knowledge. When creating figures, artists have the power to manipulate the body rationally to the extension of their knowledge (Rolling 332). The precise interpretations of physicality and pursuit of beauty is found abundantly in western art. With that said, this leads me into
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