Both Auden and Watson effectively form representations and perspectives through the implementation of techniques within their texts. Auden actively uses poetic techniques to display his own negative perspective regarding the power of dictators in "Epitaph of a Tyrant". Auden immediately creates an ambiguous environment as the first line states how dictators are after "perfection, of a kind". The slight pause after perfection satirises its positive connotation casting doubt upon the reader questioning what type of perfection that the dictators wanted. In addition, Auden further demonstrates his negative perspective through the comment on the amount of knowledge the dictators know; "[Dictators] knew human folly like the back of [their] hand".
Yet Moore's ego is entertainingly punctured when he is shown as a smug liberal martyr attempting to destroy Team America's headquarters - by rigging himself up as a suicide bomber. Again, a breathtaking moment of offensiveness: a veritable chain-mail fist through the paper-screen of celebrity correctness. It wasn't that long ago that Michael Moore, in his anti-gun documentary Bowling for Columbine, was interviewing Matt Stone, and generally praising him to the skies as a fellow satirist. And this is how he is repaid? Oh
Sebastian Faure described anarchism as a ‘negation of the principle of authority’. All anarchists believe that the state is oppressive and removes freedom. Malatesta described its role as ‘always that of oppressing and exploiting the masses’. Anarchists agree that the state is exploitative, seeing tax as ‘legalised theft’. The state is corrupt and corrupting.
Climate of Denial Analysis Al Gore's article Climate of Denial provides the general public with a horrifying true story on how we as a collective people are working in unison to slowly destroy our planet. It is not one single person's fault, it takes the power of many to pollute this planet. Gore just touches on the base of some issues like, how the media is controlled by the rich who often times happen to be corrupt politicians trying to pass on misleading information for personal gain. He also includes the shocking effects of Global warming that have already occurred and President Obama's fleeting effort to put a stop to it all. There is no doubt that the effects of global warming are right in front of the faces of the public but most
On one hand we have “Dr. Strangelove” who makes us laugh about what we should be concerned and worried about, and the film transforms this horrible idea about the bomb and massive destruction into something funny and peculiar that we should accept as part of our normal life. In this film all the characters seems to be unreal and mentally insane. A human sickness is the one who determines when, where, and how we should drop a bomb. On the other hand, we have “Fail-Safe” that, from a very serious point of view, exposes the problematic of nuclear bombs.
Even the greatest of artists would rather give away his life than surrender his art to be judged solely by the public. Art for an artistic genius is practised for its own sake; art for the purpose of art. Existence for the sake of existence itself - stripped of meaning, of value and of subjective interpretation. In its bear meaningless form, something still remains: the necessary Natural Law, a philosophical concept considered the basis of human well-being, a system of the values that determine human existence. Throughout The Tempest Prospero’s character portrays an image of a nearly Nietzchean superhuman capable of disclaiming authority, killing God.
Galt communicates that the evil of the world is made possible only by the sanction of the victim, and that individuals must withdraw their sanction. People must understand that they are enslaved and they must be able to identify their enemies. Galt states that the individual has sole control over his or her own happiness, with no one else to blame problems on, “No one’s happiness but my own is in my power to achieve or destroy” (786). This philosophy completely rules out the popular looter slogans of, “I couldn’t help it!” (523), and “They made me do it!”
Intentionally or otherwise, entertainment condones violent behavior and downplays its significance. Modern entertainment lays sex and violence on dangerously thick. By excusing brutality and equating promiscuity to beauty, it distorts the moral values of society. Additionally, it encourages a personally dangerous lifestyle. STDs, fighting fatalities and injuries, and jail time are real threats to those who choose to live in the false grandeur of a Hollywood life.
Any law that uplifts human personality is just. All segregation statuses are unjust because segregation distorts the soul and damages the personality. King is going to try so hard to eliminate this Unjust law he and hiss
In which all humans can experience. “Art objects are those created to produce aesthetic pleasure by virtue of their form.”-Kant (pg. 50) Schopenhauer’s view of art is gloomy as opposed too pleasurable. He sees artist as tragic characters forced to tell the truth about humanity, yet doomed to fail. He reveals that truths contemplation of will is that reality is a mere illusion, and that all humanity is pointless, and that we are pawns in this never-ending game called life.