The Function of History and Fantasy in the Works of Russel Brownlee and Jeanette Winterson

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The University of Stellenbosch The Function of History and Fantasy in the works of Russel Brownlee and Jeanette Winterson English Studies 278- Elective Seminar 2015 PLOTTING THE PAST- lectured by Jeanne Ellis Caitlin Clarke 18241727 Georg Lukacs, in his highly cited The Historical Novel, first published in 1937 argued that the historical novel should focus on fictional characters that observe or are party to great historical events, “rather than on the events themselves” to allow the reader to experience the motive behind the thoughts, actions and feelings of those persons who existed in historical reality (Lukacs 42). This essay will both analyse and compare two outstanding contemporary historical novels, namely Russel Brownlee’s Garden of the Plagues and Jeanette Winterson’s Sexing the Cherry, with a focus on how the role of the historical and fantastical elements employed by both authors within their respective novels to “plot the past”, both disturbs, yet compliments the conventions of the genre in a way that is both alien and yet recognisable to the reader. Garden of the Plagues tells the fictional story of Adam Wijk, a reclusive gardener and part-time physician in 17th century Cape Town, who is ordered by Commander Van der Stel, governor of the Cape Colony, to take care of the only surviving passenger, an unnamed, mute and deaf woman, to disembark from the ship, the Tulp, that has arrived at Table Bay, at the Cape of Good Hope. Brownlee’s choice of setting to ‘plot the past’ culminates historically within the period of colonisation of the Cape by the Dutch Settlers, in 1685. In 1652, the Dutch- East Indian Company (VOC) had set out to establish a European settlement at the Cape as a re-supply port for the company’s vessels on
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