The Elements in Much Ado About Nothing

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Jeremy Calvin 11/18/14 English --- Much Ado about Nothing Essay In a suspense novel, is it important that the writer use suspense? Or in a romance, should there be romantic sentiments throughout? In Shakespeare’s Much Ado about Nothing, there are many different elements that he uses to show what characters in the play are thinking. But, what are some of these elements? Is it the way Shakespeare portrays relationships between characters? Or is it how he uses trickery and deceit throughout the whole of the play? These are subjective questions, but there are three elements that are apparent throughout Much Ado about Nothing. The three elements that function in the play are conversation, overhearing, and gossip (which can act as a platform for miscommunication). First of all, how does conversation function in Much Ado about Nothing? Conversation is used to give direction to the plot of a story, movie or (in this case) the play. Conversation is an extremely helpful tool in the world of writing, from using it to add to the plot, or to confuse the watchers or readers. Imagine what books would be like without conversation. Think about it: a play without conversation would lack dialogue, and it would not be a play anymore. It would be a live silent movie! Or even if humans carried on everyday life without the use of conversation. Conversation is an essential part of living and writing. Although conversation and overhearing have been stated as two separate elements, they accompany each other quite often. In most cases, and in the case of Much Ado about Nothing, conversations are being overheard countless times throughout all five acts. An example of this takes place in act iii, scene I. In Leonato’s garden, Hero attempts to trick Beatrice into believing that Benedict loves her. Hero-“Good Margaret, run thee to the parlor. There shalt thou find my cousin Beatrice
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