Textual Integrity Of Slessor

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Textual Integrity of Slessor The representation of textual integrity in the poetry of Kenneth Slessor is ultimately the aspect that captivates the reader. The representation of memories, time, life and death in Slessor’s ‘Elegy in a Botanic Gardens’, ‘Five Visions of Captain Cook’ and ‘Sleep’ through their construction, content and language is significant in appealing to their reader’s senses generally, with also the references of individual readings. Slessor’s representation of the reality of Time and how it is relentless allows the readers to be captivated by his awareness that Time continues and will move past us whether we want it to or not. Paul Grover extracts that “Slessor’s rich verbal textures” through his unusual and contrasting patterns of imagery all serve to accentuate the “intensity of his ideas and his unrelenting exploration of life and death, Time and change” to provide his desire to make them worth having; don’t waste what Time gives you and just live it desirably. To achieve the persistency of Time, Slessor uses a study in contrast of the chronometers in ‘Five Visions of Captain Cook’ to show that despite their difference in how they keep time with the personified Kendal “Climbing out of Yesterday” and Arnold always “hurried with a crazed click click”, both shows that Time will move on and as it goes on, we will as well. Time matures us and leads us to see things differently. Julian Croft articulates “the desire to escape the limits of normal Time and the inability to do so constitute an unresolved obsession in Slessor’s poetry”. Slessor also illustrates the idea of how time changes everything through the metaphor in ‘Elegy in a Botanic Gardens’ as a journey where the once peaceful gardens that stimulates young love and sensual delight into the stale and cold autumn, “where Spring had used me better” and “so be it now” This can be further
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